Myths are living stories that grow with time, change, adapt, but continue being a source for research, inspiration and creativity. The interactive audiovisual theatrical performance INRIRI questions the adaptation of an archetypal myth at a time of many dimensions and levels with elements from physical theater and embedded interactive technology in the performing space. Parts of the story are a Caribbean myth which transforms the body, a woodpecker and some new experimental technologies. On stage two bodies try to communicate with themselves and the environment around them and to discover anew what a body can be, what the relation and connection with the other body and which are the influences of the surrounding space on them.

A person is called to carry out and experience a routine in the limited space of a house, in conditions of total isolation from the outside world. So what does that daily routine look like under these conditions? How much awareness of her actions she has? How does she act and react to her own actions? In such a condition, is there a possibility of damaging or upgrading the person's relationship with herself? The performance "memory" is an attempt to visualize all these questions

This particular project is a drag performance of my persona with references to my childhood, my relationship with my father when I was young and my mother as a working woman. It was created by using archive (videos) from my childhood and photos of the mothers of my friends.