Finem

work-image
Views: 2188

The performance Finem deals with app[ause ας a transformative act. The aim of the action is to deconstruct applause ας a social expression of admiration and recognition. Βγ creating a collective rhythm of imperative through the body, an experiential interaction with the participants is sought.



The failure of rationalization
Agatha Mingou
The failure of rationalization
Paralysis by Analysis
Evangelos Aslanidis
Paralysis by Analysis
memory
Evgenia Pouli
memory
Metamorphosis
Charis Myrsilidi
Metamorphosis
Méliès Trilogy
Aris Melachroinos
Méliès Trilogy
Demetris: A Visual Artist
Eleftheria Kiratzidou
Demetris: A Visual Artist
Inside the body
Eleni Mitrouska
Inside the body
The dream 2- Intersections
Maria Paresia Pasipoularidou
The dream 2- Intersections
Life as a Blooming Flower
Vivi Perysinaki
Life as a Blooming Flower
The Room
The Room
The failure of rationalization
Views: 2334

This art piece is trying to express the struggle between letting go ας one would use nature for meditative reasons and the over controlling mind fixating on patterns deriving from sea foam lines.

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Paralysis by Analysis
Views: 1523

The audiovisual work "Paralysis by Analysis" presents a combined experience that unfolds in two chapters of two and three dimensions respectively.

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memory
Views: 1757

A person is called to carry out and experience a routine in the limited space of a house, in conditions of total isolation from the outside world. So what does that daily routine look like under these conditions? How much awareness of her actions she has? How does she act and react to her own actions? In such a condition, is there a possibility of damaging or upgrading the person's relationship with herself? The performance "memory" is an attempt to visualize all these questions

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Metamorphosis
Views: 2873

The subject of Charis Myrsilidi’s thesis concerns the transfer of literary text to image. The excerpts of the selected texts are stories from the Grimm brothers' fairy tales and the connecting link is the pattern of transformation (metamorphosis). The presentation of the practical part of the thesis concerns an installation with clay sculptures, sound track and lighting. The sculptural space is formed by Charis Myrsilidi, a student of the Department of Audio Visual Arts and the sound by the composer Ioannis Konsolakis.

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Méliès Trilogy
Views: 1040

The main subject of this thesis is to analyze the special effects that George Melies used and invented, as well as the creation of a short film with special and visual effects, inspired by Melies’ work. This film has been implemented using modern techniques, aiming for an outcome that seems realistic but cannot actually happen in real life. All the techniques that have been used to create the film will be analyzed in depth.

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Demetris: A Visual Artist
Views: 2973

The cinematic portrait of a visual artist, Demetris Papazachos, a senior student of the Fine Arts School in Thessaloniki, is about featuring an artist without just showing his artwork but emphasizing at his personality and his artistic thinking instead. Through his internal journey, gay culture elements are projected while an interesting question is raised: Who is "A Visual Artist" at last?

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Inside the body
Views: 1878

Every expression of the subject is inherent in the body image, indicating the lack of being, which desire tries to cover.

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The dream 2- Intersections
Views: 2226

While we dream, much of the information that the brain involuntarily collects during the day, is intersected and integrated with previous experience and can be used in future behaviors.

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Life as a Blooming Flower
Views: 2317

The project focuses on close-ups of flowers ας elements of the beauty of nature and the spiritual uplift created by the connection with it.

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The Room
Views: 2384

Where do memories go when they are lost? Are they still where we left them, if we don’t recall them? In this room, as private and irrevocable as our memory, objects animate a series of scenarios. A memory floods the room, another struggles to disclose itself, another one leaks back and forth in time. The idea of the ‘other’ hovers between what has already passed and what is reminisced every time. We never recollect events and spaces as such. We always enliven recollections in our own way. Through constant evocations that seek to perpetuate the existence of the ‘room’, memories converse with space and time, as well as with a part of ourselves. Either as past, forgetfulness or loss, they always contain something that is already gone.

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AVARTS IONIAN UNIVERSITY

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