Sound of Oblivion

Views: 993
The artwork is a diptych canvas (1m x 0.90) x2 (total 1m x 1.80m) covered with transparent white fabric. On the surface, there will be protrusions from the fabric created with heat, and conductive paint will be applied on top of them. The interaction occurs when the viewer touches the surface; specifically, the paint will produce sounds such as children's laughter, etc. The piece is currently in the process of being constructed.


Eterotopia
Ioanna Tzampa
Eterotopia
Intersecting Worlds
Intersecting Worlds
SocialGR
Vasilis Alexandrou
SocialGR
Dharmadhatu
Martha Gogakou
Dharmadhatu
SpacelSelf
Ioanna Mazi
SpacelSelf
7500+1 sculptures
7500+1 sculptures
Athens, my love
Dimitris Kechris
Athens, my love
Phoenix
Christina Kalantzi
Phoenix
The Room
The Room
Riot - Strike - Riot
Giorgos Gargalas
Riot - Strike - Riot
Eterotopia
Views: 1515

Eterotopia. Place within a Place that violates real time.

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Intersecting Worlds
Views: 1659

Creation of a group installation entitled Intersecting Worlds. The installation raises questions about the diversity and dynamics of the digital world, the limits and possibilities of technology and how it interacts and transforms contemporary life, creating new stimuli and a new way of looking at everyday life.

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SocialGR
Views: 1871

This artwork consists of multiple videos of scrolls down found in well-known social media, which were taken by smart phone and are displayed in a horizontal layout and continuous flow. On a second reading and as the viewer moves away from the individual information, he or she realizes that the Greek flag is formed in the video. The artwork seeks to ask questions about the ever-increasing use and abuse of social media in Greek everyday life. Being sometimes means of communication and information and sometimes tools of manipulation, social media make people concern and strongly influence society in its entirety, while the posts of their multiple users are now an integral part of our modern (digital) public space.

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Dharmadhatu
Views: 2364

"Dharmadhatu" is an experimental audiovisual video with linear narrative. It has been created with an original experimental technique, where each frame results from a live recording of the behavior of flowing colors on a painted surface.

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SpacelSelf
Views: 1237

Α work based on the rules of kinetic poetry and explores the relationship between Space and Self. The Space defined by our Self [Ego] is malleable, it changes and interacts with the Space of Others. Physical and non-physical, the Space covered by the Ego is hetero-determined and constantly changing in eternity.

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7500+1 sculptures
Views: 1270

The Video installation in the exhibition emphasizes and at the same time negates the temporality of a medium whose dominant form of expression is space.

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Athens, my love
Views: 1249

An essay-film which looks for mnemic traces of major political events inscribed in the body of the metropolitan entity of Athens.

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Phoenix
Views: 2587

Phoenix is the rebirth of the refugees. It is what was left of the big fire in the Moria's camp.

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The Room
Views: 1905

Where do memories go when they are lost? Are they still where we left them, if we don’t recall them? In this room, as private and irrevocable as our memory, objects animate a series of scenarios. A memory floods the room, another struggles to disclose itself, another one leaks back and forth in time. The idea of the ‘other’ hovers between what has already passed and what is reminisced every time. We never recollect events and spaces as such. We always enliven recollections in our own way. Through constant evocations that seek to perpetuate the existence of the ‘room’, memories converse with space and time, as well as with a part of ourselves. Either as past, forgetfulness or loss, they always contain something that is already gone.

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Riot - Strike - Riot
Views: 1845

This is the first video of my audiovisual installation entitled "Riot Strike Riot". The audiovisual installation entitled "Riot Strike Riot" is based on the political repression and social disorders of recent years with a focus on Greece, but also with influences from abroad. The installation has presented from a subjective point of view, the socio-political image of today through audiovisual digital media, interactive systems, and objects.

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AVARTS IONIAN UNIVERSITY

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