EVA

work-image
Views: 2166

The short documentary focuses on the preparation of the solo performance "EVA", performed by the dancer and performer Evangelia Randou. The project is based on her personal experiences and has been created and staged by her. The film reveals the moments when the dancer works with her body, experiments, creates and improvises. The documentary is a portrait of the dancer herself, but also of the work she creates.

Myrto Gatsiou, Evangelia Randou, Kostas Filippou, Maria Chalkou



Inner Journey
Eleni Mitrouska
Inner Journey
12:12 pm
George Angelis
12:12 pm
The dream 2- Intersections
Maria Paresia Pasipoularidou
The dream 2- Intersections
Forest of Winds
Orestis Dimopoulos
Forest of Winds
Where do I exist?
Sousana Romanidou
Where do I exist?
Aynadamar
Margarita Chalakatevaki
Aynadamar
Voices in our heads
Valassia Dodoulou
Voices in our heads
Confusion
Fani Kesidou
Confusion
Finem
Fani Arapi
Finem
Bread And A Blanket
Dimitris Gkrintzos
Bread And A Blanket
12:12 pm
Views: 1117

During quarantine, time passes without realizing it. Time is blurred with fears, worries and deformations. The realization that we are still "thoughtful creatures" in such an irrational world is something that grounds us back to reality. The film draws from the movement of French Impressionism.  

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The dream 2- Intersections
Views: 1169

While we dream, much of the information that the brain involuntarily collects during the day, is intersected and integrated with previous experience and can be used in future behaviors.

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Forest of Winds
Views: 1401

With the opportunity of the preparation of the trip, the productive process of maintenance, repair and work in the area of the shipyard, the project "Forest of Winds" is created. The project was named "Forest of Winds" because of the sound of the wind passing through the masts of the boats. The "Forest of Winds" is a 360 video animation evolving into a theatrical space and indefinite time. The video depicts the invisible side of a dream, the dream of a journey and its preparation with the forms of workers hovering impersonal in space as work uniforms, creating a choreographed kinesiological narrative process. The forms of workers rub, shine and accomplish all kinds of jobs with their repetitive motions, until they are left in space like objects in an endless free fall.

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Where do I exist?
Views: 2201

The title of this artwork is "Where Do I Exist?". This is a virtual space that explores the relationship between reality and virtual reality. Moreover, it the result of a pandemic society that tends to communicate through social media. It is the impression of our lifes into a virtual world, free from our body and the stereotypes it might follows it. Could we be free from our body and ideas such as gender identity and death? What is the meaning of touch into an immaterial world? Anyone can be part of this artwork with a twitter hashtag of the word #immaterial.

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Aynadamar
Views: 2079

Aynadamar: An important place as far back as when the Arabs were in the area. The whole region of Andalusia was supplied with water through that spring, reaching as far as Madrid. Several years later, the poet and playwright Federico Garcia Lorca is taken there to be executed. His work in turn supplied the whole Spain and spread to the rest of the world. The documentary intertwines significant events of his life with dramatised excerpts from his work, aiming at achieving Duende (as Lorca used to say), the quintessence of all things.

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Voices in our heads
Views: 1156

Α video art piece with performance and art installation elements in public space.

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Confusion
Views: 855

An interactive symbolic work consisting of a wire brain construction is presented. 

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Finem
Views: 1121

The performance Finem deals with app[ause ας a transformative act. The aim of the action is to deconstruct applause ας a social expression of admiration and recognition.

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Bread And A Blanket
Views: 1803

It’s Monday, the 13th of December 1943, the small town of Kalavryta is set on fire by the occupation army of Nazi Germany while the entire male population is being gathered on a nearby hill and shot dead. This war crime will go down in history, along with the massacre of Acqui Division, as the largest mass killing in Greece during WWII. Three men who witnessed these events as kids, locked up with the rest women, children and elderly people in Kalavryta’s primary school, recall this traumatic experience.

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AVARTS IONIAN UNIVERSITY

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