Yorgos Psailas - A portrait of the British Cemetery caretaker

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Views: 2467

A short documentary, based on the theory of Observational Cinema. It is the portrait of the caretaker of the British Cemetery in the island of Corfu, Greece, Mr. Yorgos Psailas. The documentary deals with his daily life in the cemetery. Mr. Psailas also recounts the most important moments of his life as well as his thoughts about life and death.

Direction / Photography / Sound / Editing: Mixing: Andreas Vouliakis Translation from Italian: Athanasia Liatsi Ionian University Faculty of Music and Audiovisual Arts – Department of Audiovisual Arts Supervisor: Maria Chalkou



Negative Buoyancy, the story of a freediver
Dimitra Delfi
Negative Buoyancy, the story of a freediver
Allimonò
Allimonò
"200 years since the Revolution of 1821 and the role of Corfu"
Nikolaos Korakianitis
"200 years since the Revolution of 1821 and the role of Corfu"
Construction
Ioanna Paraskevopoulou
Construction
A Portrait of an old woman
Lydia Kasfiki
A Portrait of an old woman
Me, myself & ai
Sofi Moutafi
Me, myself & ai
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Tonia Aino
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Fish in a box
Alexis Sidiropoulos
Fish in a box
ZEN
Melina Nafsika Efthymiou
ZEN
Grandma Areti
Areti - Irene Kovani
Grandma Areti
Negative Buoyancy, the story of a freediver
Views: 2495

A freediver transforms into water while he dives beneath the surface, connects with nature and becomes a part of the underwater environment by hunting like a marine predator.
The mesmerizing underwater world is accessible to those who overcome fear and dare to push their human limits a little further in order to explore it. The passion with the serene world beneath the surface becomes a lifestyle for those who surrender themselves to negative buoyancy.

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Allimonò
Views: 1753

The fulfillment of a last wish leads Filippo to a retrospection from the mountains of Epirus to the recent past of the year 1945. His meeting with his history revives the memory of a whole village, unfolding the relations and the bonding of two peoples against the commands of an era, which is not as far as we think.

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"200 years since the Revolution of 1821 and the role of Corfu"
Views: 2558

The present postgraduate thesis was prepared in the context of the completion of the postgraduate program of the Department of Sound and Visual Arts of the Ionian University.
The study of the subject will be the facts and data on the occasion of the completion of 200 years since the Greek Revolution.
The present work aims to enrich the theoretical framework of study. Its structure is based on data that I have collected (rare photographic material, letters, etc.), from the Public Archives of the State, the Kapodistrias Museum and the Reading Company.

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Construction
Views: 1626

"Construction" is the documentation of the process of a rehearsal performed by contemporary dance and acrobatics company "Ki omWs kineitai" during the preparation of the group to participate in a theatrical play. It took place during the second lockdown in Athens in a climate of general uncertainty regarding the planning and performing of live performances. In "Construction" the return of the bodies to rehearsal conditions, the need for communication and reconnection and the memory of sharing with the spectators that still gives hope are recorded in a spontaneous and fragmentary way.

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Me, myself & ai
Views: 1700

Α creative dynamic dialogue with artificial intelligence (ai). The cursor is about to press "generate". Analyzing.

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EX-SITU [existing situations]. Destruction as an social-artistic practice.
Views: 2221

EX-SITU[existing situations] is an interactive installation that incorporates a computer, sound, and lighting technologies in which users/ viewers take part in the destruction of the painting by stepping on it. At the same time, a motion tracking system marks visitors and a light spot tracks them.​
The content of EX SITU calls for awareness of social indifference, self-promotion, and their impact on society. The structure of EX SITU is intentionally ambiguous, revealing the obsession/fascination for the protection of material in contrast with the empathy for other people.
The interactive installation underlines the responsibility of individuals in society. The theoretical part analyses the Destruction in Art Symposium in 1966 and The bystander effect, or bystander apathy, in which individuals are less likely to offer help to a victim when other people are present.

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Fish in a box
Views: 1793

Visual investigation and documentation of the production chain of a fish packing factory.

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ZEN
Views: 1634

A short portrait of a young person with artistic and existential concerns.

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Grandma Areti
Views: 1409

This documentary is about my grandmother, Areti. I have her name. She is a very simple and sweet person. She always wants to take care of and feed us.

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