Yorgos Psailas - A portrait of the British Cemetery caretaker

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Views: 1638

A short documentary, based on the theory of Observational Cinema. It is the portrait of the caretaker of the British Cemetery in the island of Corfu, Greece, Mr. Yorgos Psailas. The documentary deals with his daily life in the cemetery. Mr. Psailas also recounts the most important moments of his life as well as his thoughts about life and death.

Direction / Photography / Sound / Editing: Mixing: Andreas Vouliakis Translation from Italian: Athanasia Liatsi Ionian University Faculty of Music and Audiovisual Arts – Department of Audiovisual Arts Supervisor: Maria Chalkou



Fear - Hope
Outsika Chrysavgi
Fear - Hope
The failure of rationalization
Agatha Mingou
The failure of rationalization
Metamorphosis
Charis Myrsilidi
Metamorphosis
Portrait of a Musician - The digital sound of an orchestral instrument
Alexandros Kaminaris
Portrait of a Musician - The digital sound of an orchestral instrument
Amateur actor
Lefteris Keteoglou
Amateur actor
A Portrait of an old woman
Lydia Kasfiki
A Portrait of an old woman
State Of Affairs
Nichoalos Κarnampatides
State Of Affairs
Portrait
Melina Zografou
Portrait
Outside from Space and Time
Loukas Drivas
Outside from Space and Time
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Tonia Aino
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Fear - Hope
Views: 1453

Presentation of 3d projection mapping, on Church of Panagia ton Xenon, Kyra - Faneromeni (Old Town, Corfu, Greece), October 2, 2020 at 10:00.

In the dissertation, following the strategy of deliberate ambiguity and crossing different eras, we go through a path of images and information, which express hope and fear in various fields and they characterize every culture and every society.

At the same time, moving from formalism to realism, it emerges that the Aristotelian definition of the representational unity of space-time-action is no longer valid in art. Undoubtedly, the formalist movement has shown that planes are understood not only as sequences of logical units, but also as theoretical or ideological conceptions, where their connection is not legitimized on the basis of the principle of space-time unit, but by some abstract theoretical model, such as is the model of metaphor, the path through contradictions, symbolism and anything else that enhances the removal of the theoretical model. But also internal realism, which is not a theory of truth, highlights the convergence of two seemingly incompatible ideas.

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The failure of rationalization
Views: 840

This art piece is trying to express the struggle between letting go ας one would use nature for meditative reasons and the over controlling mind fixating on patterns deriving from sea foam lines.

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Metamorphosis
Views: 1548

The subject of Charis Myrsilidi’s thesis concerns the transfer of literary text to image. The excerpts of the selected texts are stories from the Grimm brothers' fairy tales and the connecting link is the pattern of transformation (metamorphosis). The presentation of the practical part of the thesis concerns an installation with clay sculptures, sound track and lighting. The sculptural space is formed by Charis Myrsilidi, a student of the Department of Audio Visual Arts and the sound by the composer Ioannis Konsolakis.

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Portrait of a Musician - The digital sound of an orchestral instrument
Views: 1102

This documentary deals with the relationship that can be developed between two different types of music (Classical and Electronic), shaping also the portrait of a professional Musician and Viola teacher at the Athens School of Music.

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Amateur actor
Views: 1797

A professional electrician works in the villa of the rich professional actor. The electrician is also an amateur theater actor. The love of the amateur actor seems to be greater than the famous actor. The famous actor tries to make money but the amateur tries to do what he loves.

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State Of Affairs
Views: 1740

When the observer is standing in front of a work of art and is trying to comprehend it, they are consciously entering a recognition process. This is achieved because the brain recognizes the relationship between some shapes or colors in the piece of art and, automatically, recalls them from memory. This procedure creates the necessary conditions for the creation of new neural synapses. Using these facts?, the artist suggests an audiovisual performance that includes an interference of audio to the visual aspect? in real time.

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Outside from Space and Time
Views: 984

A portrait of Antonis, a homeless man living in the old town of Corfu.

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EX-SITU [existing situations]. Destruction as an social-artistic practice.
Views: 1631

EX-SITU[existing situations] is an interactive installation that incorporates a computer, sound, and lighting technologies in which users/ viewers take part in the destruction of the painting by stepping on it. At the same time, a motion tracking system marks visitors and a light spot tracks them.​
The content of EX SITU calls for awareness of social indifference, self-promotion, and their impact on society. The structure of EX SITU is intentionally ambiguous, revealing the obsession/fascination for the protection of material in contrast with the empathy for other people.
The interactive installation underlines the responsibility of individuals in society. The theoretical part analyses the Destruction in Art Symposium in 1966 and The bystander effect, or bystander apathy, in which individuals are less likely to offer help to a victim when other people are present.

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