A place of relative isolation and no influence from the outside environment. Black cloth with a small opening that the viewer enters wearing headphones and playing a soundscape I created on a magnifying glass. 

The film refers to the pandemic crisis of covid-19 in the country, after the enforcement of the restriction measures. It observes the everyday life of the town centre of Corfu. It includes the randomness of recording the reality, the contradictions and the paradox of it. It attempts to render the suffocating atmosphere, that has a huge impact on the everyday life and the psychology of the people.

Visual investigation and documentation of the slaughter of pigs.

An interactive symbolic work consisting of a wire brain construction is presented. 

As an observer, who neither intervenes nor interacts with the subject, this documentary attempts to present parts of the everyday life of a music therapy student, emphasizing her expressions and reactions while producing sounds and improvising.

A short observational documentary that depicts Bella's life, a stray dog that lives in the old town of Corfu, through the filming of a random day.

A portrait of Antonis, a homeless man living in the old town of Corfu.

This video was created as part of the work for the art class of technical images. It was named lock down as it takes place during the second quarantine and shows two parallel lives of people and how each of them experiences their confinement. The idea, the shots and the editing are by Markella Floka and the music was entirely edited by Dimitris Pantelis.

The compositional method is based on the incorporation of sound material of cultural background into an electroacoustic piece. By drawing a linear narration, my aim was to demonstrate a unity, an imaginary community, which characterizes the Romani culture, despite the hybridic, complicated and diverse traditions deriving from the various European and Asian countries its people live in. A central question behind the making of this piece is what kind of role can a civilization have today, when the concept of space is eliminated by time- a key element in the dynamics of capitalism. What are the cultural consequences of the so-called annihilation of time and space, as materialized and tangible dimensions of social life? Are historical tradition and the search for roots promoted and reorganized as simulacra, imitations or/and museum culture, thourgh the demonstration of a partly deceptive past?