Yorgos Psailas - A portrait of the British Cemetery caretaker

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A short documentary, based on the theory of Observational Cinema. It is the portrait of the caretaker of the British Cemetery in the island of Corfu, Greece, Mr. Yorgos Psailas. The documentary deals with his daily life in the cemetery. Mr. Psailas also recounts the most important moments of his life as well as his thoughts about life and death.

Direction / Photography / Sound / Editing: Mixing: Andreas Vouliakis Translation from Italian: Athanasia Liatsi Ionian University Faculty of Music and Audiovisual Arts – Department of Audiovisual Arts Supervisor: Maria Chalkou



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Outside from Space and Time
Loukas Drivas
Outside from Space and Time
Quarantine Self Portait
Quarantine Self Portait
Construction
Ioanna Paraskevopoulou
Construction
Eterotopia
Ioanna Tzampa
Eterotopia
Goutzos
Alexis Sidiropoulos
Goutzos
Inside the body
Eleni Mitrouska
Inside the body
Our garbage, the other's treasure
Thanos Tsigkas
Our garbage, the other's treasure
INRIRI - Interactive Audiovisual Theatrical Performance
Sofi Moutafi
INRIRI - Interactive Audiovisual Theatrical Performance
BRAIN_RINTH
BRAIN_RINTH
become
Views: 1540

In this video art work 39 persons of different ages are invited to sit in front of the same black door, talk about their favourite object and in what, by using this object, they could be transformed. In the final cut only the silent expressions are kept.

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Outside from Space and Time
Views: 1431

A portrait of Antonis, a homeless man living in the old town of Corfu.

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Quarantine Self Portait
Views: 1281

The quarantine's experience time has functioned as a humanized time. Its previous social barbarity was imprisoned in the familiar cage of my soul and became my creation time. Each day was my friend, an eternal circular and dynamic present, a consciousness without conflicts. It was like an eternity that is experienced differently every moment. An unprecedented form of stillness gripped me and perpetuated in many abstract fragments which finally formed the new texture of my existence, in this peculiar isolation. I became from the carcass of time I was before, its qualitative disintegration… Reality was distorted and experienced illusively. The time from the alienation that was before, was transformed and became the cover for the scratched truth of myself. This kind of time my conscience had dreamed to live.

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Construction
Views: 1313

"Construction" is the documentation of the process of a rehearsal performed by contemporary dance and acrobatics company "Ki omWs kineitai" during the preparation of the group to participate in a theatrical play. It took place during the second lockdown in Athens in a climate of general uncertainty regarding the planning and performing of live performances. In "Construction" the return of the bodies to rehearsal conditions, the need for communication and reconnection and the memory of sharing with the spectators that still gives hope are recorded in a spontaneous and fragmentary way.

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Eterotopia
Views: 1321

Eterotopia. Place within a Place that violates real time.

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Goutzos
Views: 1452

Visual investigation and documentation of the slaughter of pigs.

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Inside the body
Views: 1095

Every expression of the subject is inherent in the body image, indicating the lack of being, which desire tries to cover.

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Our garbage, the other's treasure
Views: 1308

This documentary follows a young man who collects “useless” objects, like electronic devices that people throw away. To him, a broken hoover or a rusty stove is an opportunity to explore its “inner micro-world”, which is comprised of complex circuits, motors and other electronic systems. It is also a chance to alter those devices and give them a new life.

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INRIRI - Interactive Audiovisual Theatrical Performance
Views: 2099

Myths are living stories that grow with time, change, adapt, but continue being a source for research, inspiration and creativity. The interactive audiovisual theatrical performance INRIRI questions the adaptation of an archetypal myth at a time of many dimensions and levels with elements from physical theater and embedded interactive technology in the performing space. Parts of the story are a Caribbean myth which transforms the body, a woodpecker and some new experimental technologies. On stage two bodies try to communicate with themselves and the environment around them and to discover anew what a body can be, what the relation and connection with the other body and which are the influences of the surrounding space on them.

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BRAIN_RINTH
Views: 1685

BRAINRINTH is a multi-channel video installation. The work attempts – through technology – to approach brain-related functions of memory, drawing on material from personal experience of the body in crisis. The title BRAINRINTH –from the words Brain and Labyrinth – is a play on the intractable riddle of an archetypal Greek structure (the labyrinth) and the labyrinthine processes of the human brain. The BRAINRINTH installation seeks a poetic mapping of the human brain.
Due to the shock of trauma, our understanding of the functioning of the body, and of nature itself –which we are trying to dominate – seems desperate and full of anxiety. Taking this into account, if we adopt a position in which we keep a distance of aesthetic neutrality, perhaps this reality begins to look less frightening.

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