Ticket

work-image
Views: 909

The documentary includes footage of:

  • The train collision point,
  • the hospital of Larissa,
  • the Thessaloniki OSE,
  • from the mobilizations in Athens and Larissa.

Narrated by Christina Koblitsi



SocialGR
Vasilis Alexandrou
SocialGR
The abortion law
Vasiliki Kopaila
The abortion law
Amateur actor
Lefteris Keteoglou
Amateur actor
become
become
Goutzos
Alexis Sidiropoulos
Goutzos
Finem
Fani Arapi
Finem
Fish in a box
Alexis Sidiropoulos
Fish in a box
LIA
Ioanna Paraskevopoulou
LIA
Portrait of a Musician - The digital sound of an orchestral instrument
Alexandros Kaminaris
Portrait of a Musician - The digital sound of an orchestral instrument
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Tonia Aino
EX-SITU [existing situations]. Destruction as an social-artistic practice.
SocialGR
Views: 1259

This artwork consists of multiple videos of scrolls down found in well-known social media, which were taken by smart phone and are displayed in a horizontal layout and continuous flow. On a second reading and as the viewer moves away from the individual information, he or she realizes that the Greek flag is formed in the video. The artwork seeks to ask questions about the ever-increasing use and abuse of social media in Greek everyday life. Being sometimes means of communication and information and sometimes tools of manipulation, social media make people concern and strongly influence society in its entirety, while the posts of their multiple users are now an integral part of our modern (digital) public space.

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The abortion law
Views: 1075

The documentary presents an important incident that happened in Poland in October 2020: The government announced the almost universal ban on abortions, and daily protests followed until the government freeze the law. Two women talk about their own involvement in demonstrations and express their feelings about government decisions.

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Amateur actor
Views: 1825

A professional electrician works in the villa of the rich professional actor. The electrician is also an amateur theater actor. The love of the amateur actor seems to be greater than the famous actor. The famous actor tries to make money but the amateur tries to do what he loves.

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become
Views: 1109

In this video art work 39 persons of different ages are invited to sit in front of the same black door, talk about their favourite object and in what, by using this object, they could be transformed. In the final cut only the silent expressions are kept.

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Goutzos
Views: 1027

Visual investigation and documentation of the slaughter of pigs.

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Finem
Views: 822

The performance Finem deals with app[ause ας a transformative act. The aim of the action is to deconstruct applause ας a social expression of admiration and recognition.

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Fish in a box
Views: 1049

Visual investigation and documentation of the production chain of a fish packing factory.

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LIA
Views: 1118

The documentary is about Lia, observing her with the stray cats of Plaka and Tula, the female dog that lives in Pedion Areos. Lia loves and cares about animals. Every day she walks around the city having food in her bag and feeding any animal she meets.

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Portrait of a Musician - The digital sound of an orchestral instrument
Views: 1116

This documentary deals with the relationship that can be developed between two different types of music (Classical and Electronic), shaping also the portrait of a professional Musician and Viola teacher at the Athens School of Music.

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EX-SITU [existing situations]. Destruction as an social-artistic practice.
Views: 1650

EX-SITU[existing situations] is an interactive installation that incorporates a computer, sound, and lighting technologies in which users/ viewers take part in the destruction of the painting by stepping on it. At the same time, a motion tracking system marks visitors and a light spot tracks them.​
The content of EX SITU calls for awareness of social indifference, self-promotion, and their impact on society. The structure of EX SITU is intentionally ambiguous, revealing the obsession/fascination for the protection of material in contrast with the empathy for other people.
The interactive installation underlines the responsibility of individuals in society. The theoretical part analyses the Destruction in Art Symposium in 1966 and The bystander effect, or bystander apathy, in which individuals are less likely to offer help to a victim when other people are present.

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AVARTS IONIAN UNIVERSITY

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