Ticket

work-image
Views: 895

The documentary includes footage of:

  • The train collision point,
  • the hospital of Larissa,
  • the Thessaloniki OSE,
  • from the mobilizations in Athens and Larissa.

Narrated by Christina Koblitsi



ZEN
Melina Nafsika Efthymiou
ZEN
State Of Affairs
Nichoalos Κarnampatides
State Of Affairs
Clement-portrait
Vasiliki Kopaila
Clement-portrait
One week in ten minutes
Giota Andriakaina
One week in ten minutes
Windows
Konstantina Kaika
Windows
Recycle
Eurydice Konstantinidou
Recycle
Dharmadhatu
Martha Gogakou
Dharmadhatu
Demetris: A Visual Artist
Eleftheria Kiratzidou
Demetris: A Visual Artist
LOCKDOWN
Markella Floka
LOCKDOWN
BRAIN_RINTH
BRAIN_RINTH
ZEN
Views: 944

A short portrait of a young person with artistic and existential concerns.

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State Of Affairs
Views: 1760

When the observer is standing in front of a work of art and is trying to comprehend it, they are consciously entering a recognition process. This is achieved because the brain recognizes the relationship between some shapes or colors in the piece of art and, automatically, recalls them from memory. This procedure creates the necessary conditions for the creation of new neural synapses. Using these facts?, the artist suggests an audiovisual performance that includes an interference of audio to the visual aspect? in real time.

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Clement-portrait
Views: 1192

The portrait of a young, lonely man in a foreign country, whose only consolation is smoking. The documentary observes his daily life: He lives with the basics and wanders in the city. His grief comes from the fact that he is alone without his family.

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One week in ten minutes
Views: 1664

One week in ten minutes is a video in which the recording of unboxing, the act of opening the boxes, confronts the viewer with the repeated search in empty boxes that contain absolutely nothing. Each box is the promise of a gift which is to come, promising a gift whose dispatchment is always deferred.

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Windows
Views: 892

The atmosphere of the space and the emotional charge are the dominant points in the work. The windows ας protagonists have a dual meaning. Internet windows - tabs ας a means of socialization and communication, a substitute for a life.

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Recycle
Views: 1033

The movie describes Varvara's life. If you like to learn more about her, just watch it.

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Dharmadhatu
Views: 1693

"Dharmadhatu" is an experimental audiovisual video with linear narrative. It has been created with an original experimental technique, where each frame results from a live recording of the behavior of flowing colors on a painted surface.

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Demetris: A Visual Artist
Views: 1687

The cinematic portrait of a visual artist, Demetris Papazachos, a senior student of the Fine Arts School in Thessaloniki, is about featuring an artist without just showing his artwork but emphasizing at his personality and his artistic thinking instead. Through his internal journey, gay culture elements are projected while an interesting question is raised: Who is "A Visual Artist" at last?

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LOCKDOWN
Views: 1079

This video was created as part of the work for the art class of technical images. It was named lock down as it takes place during the second quarantine and shows two parallel lives of people and how each of them experiences their confinement. The idea, the shots and the editing are by Markella Floka and the music was entirely edited by Dimitris Pantelis.

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BRAIN_RINTH
Views: 1268

BRAINRINTH is a multi-channel video installation. The work attempts – through technology – to approach brain-related functions of memory, drawing on material from personal experience of the body in crisis. The title BRAINRINTH –from the words Brain and Labyrinth – is a play on the intractable riddle of an archetypal Greek structure (the labyrinth) and the labyrinthine processes of the human brain. The BRAINRINTH installation seeks a poetic mapping of the human brain.
Due to the shock of trauma, our understanding of the functioning of the body, and of nature itself –which we are trying to dominate – seems desperate and full of anxiety. Taking this into account, if we adopt a position in which we keep a distance of aesthetic neutrality, perhaps this reality begins to look less frightening.

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