Ticket

work-image
Views: 1548

The documentary includes footage of:

  • The train collision point,
  • the hospital of Larissa,
  • the Thessaloniki OSE,
  • from the mobilizations in Athens and Larissa.

Narrated by Christina Koblitsi



Oh, Johnny!
Christofora Maria Ntoutsou
Oh, Johnny!
7500+1 sculptures
7500+1 sculptures
"ano” + "throsko”
"ano” + "throsko”
State Of Affairs
Nichoalos Κarnampatides
State Of Affairs
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Tonia Aino
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Changing room
Nektarios Pachiadakis
Changing room
A Quest For Eternity
A Quest For Eternity
devout Iongings
devout Iongings
Sound Art
Sound Art
LOCKDOWN
Markella Floka
LOCKDOWN
Oh, Johnny!
Views: 1785

"Oh, Johnny!" is a short documentary about John (Vinylios), his interest in fashion and his relation to drag shows.

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7500+1 sculptures
Views: 1213

The Video installation in the exhibition emphasizes and at the same time negates the temporality of a medium whose dominant form of expression is space.

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"ano” + "throsko”
Views: 1420

It is a work of digital design in real time that in its evolution displays the Word human, relationship coupling, thoughts and feelings..

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State Of Affairs
Views: 2341

When the observer is standing in front of a work of art and is trying to comprehend it, they are consciously entering a recognition process. This is achieved because the brain recognizes the relationship between some shapes or colors in the piece of art and, automatically, recalls them from memory. This procedure creates the necessary conditions for the creation of new neural synapses. Using these facts?, the artist suggests an audiovisual performance that includes an interference of audio to the visual aspect? in real time.

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EX-SITU [existing situations]. Destruction as an social-artistic practice.
Views: 2022

EX-SITU[existing situations] is an interactive installation that incorporates a computer, sound, and lighting technologies in which users/ viewers take part in the destruction of the painting by stepping on it. At the same time, a motion tracking system marks visitors and a light spot tracks them.​
The content of EX SITU calls for awareness of social indifference, self-promotion, and their impact on society. The structure of EX SITU is intentionally ambiguous, revealing the obsession/fascination for the protection of material in contrast with the empathy for other people.
The interactive installation underlines the responsibility of individuals in society. The theoretical part analyses the Destruction in Art Symposium in 1966 and The bystander effect, or bystander apathy, in which individuals are less likely to offer help to a victim when other people are present.

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Changing room
Views: 747

A place of relative isolation and no influence from the outside environment. Black cloth with a small opening that the viewer enters wearing headphones and playing a soundscape I created on a magnifying glass. 

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A Quest For Eternity
Views: 1761

The research documentary A Quest for Eternity (2020) focuses in four different elements of Angelopoulos’s style and provides new information using and analysing the data from semi-structured interviews. This research documentary is part of Dr. Iakovos Panagopoulos practice based Phd research in the University of Central Lancashire with the title: “Reshaping Contemporary Greek Cinema Through a Re-evaluation of the Historical and Political Perspective of Theo Angelopoulos's Work”(Panagopoulos, 2019).

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devout Iongings
Views: 1527

This is a Iove story between a female statue and a man. It is about the pious desires of people ας they apply them to the interpersonal relationships they develop.

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LOCKDOWN
Views: 1566

This video was created as part of the work for the art class of technical images. It was named lock down as it takes place during the second quarantine and shows two parallel lives of people and how each of them experiences their confinement. The idea, the shots and the editing are by Markella Floka and the music was entirely edited by Dimitris Pantelis.

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