SpacelSelf

work-image
Views: 713

Α work based on the rules of kinetic poetry and explores the relationship between Space and Self. The Space defined by our Self [Ego] is malleable, it changes and interacts with the Space of Others. Physical and non-physical, the Space covered by the Ego is hetero-determined and constantly changing in eternity.



Windows
Konstantina Kaika
Windows
Bouquets: Artifact Conglomerations
Bouquets: Artifact Conglomerations
Voices in our heads
Valassia Dodoulou
Voices in our heads
Wroom
Konstantia Makri
Wroom
Eterotopia
Ioanna Tzampa
Eterotopia
Natural Perversion
Luc Messinezis
Natural Perversion
Private - Public
Dimitra Politi
Private - Public
Finem
Fani Arapi
Finem
Yorgos Psailas - A portrait of the British Cemetery caretaker
Spyros Christoforatos
Yorgos Psailas - A portrait of the British Cemetery caretaker
Phoenix
Christina Kalantzi
Phoenix
Windows
Views: 888

The atmosphere of the space and the emotional charge are the dominant points in the work. The windows ας protagonists have a dual meaning. Internet windows - tabs ας a means of socialization and communication, a substitute for a life.

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Bouquets: Artifact Conglomerations
Views: 1038

The project composes a series of random artifacts relating to art and design history, used either ας decorative or utilitarian artifacts, turning them into a non-definitive object [bouquet] floating in space.

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Voices in our heads
Views: 880

Α video art piece with performance and art installation elements in public space.

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Wroom
Views: 599

The Wroom, is a movie that start with two red iron cars, a 1953 Chevrolet 1100 & a 1954 Magirus Deutz small fire engine, spilling out of a race of skills, flips and drifts at speed in the dining room of their home. In a brightly room, in a world where imagination knows no bounds.

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Eterotopia
Views: 861

Eterotopia. Place within a Place that violates real time.

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Natural Perversion
Views: 1134

In the realm of acoustic hyper-reality we meet aural simulacra of the order of maleficence. These are signals that mask and denature a profound acoustic reality. They are referential and representational, but in a way that they dissimulate reality and become its twisted Doppelgängers. Simulacra of the order of maleficence are perversions of reality. With the sound artwork ‘Natural Perversion’ Through a set of sonic processes the artist delves into autogenerative, autopoietic, responsive and biomimetic modes of creation exploring how the original naturally produced audio signal can be transformed into a sonic caricature and depending on the way it balances between its signifier and its signified aspect, it may re-interpret naturally produced concrete audible events into a musical language which serves both the acousmatic and the non-cochlear approaches to contemporary sound art.

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Private - Public
Views: 837

This changing frame represents an allegorical image of human nature, which when it is in dialectic with the outside world - during the transition from private to public life, experiences conflicting feelings of apprehension, anticipation, reticence, curiosity and extroversion.

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Finem
Views: 807

The performance Finem deals with app[ause ας a transformative act. The aim of the action is to deconstruct applause ας a social expression of admiration and recognition.

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Yorgos Psailas - A portrait of the British Cemetery caretaker
Views: 1645

A short documentary, based on the theory of Observational Cinema. It is the portrait of the caretaker of the British Cemetery in the island of Corfu, Greece, Mr. Yorgos Psailas. The documentary deals with his daily life in the cemetery. Mr. Psailas also recounts the most important moments of his life as well as his thoughts about life and death.

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Phoenix
Views: 1849

Phoenix is the rebirth of the refugees. It is what was left of the big fire in the Moria's camp.

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