Goldfish

Views: 651


Forest of Winds
Orestis Dimopoulos
Forest of Winds
Phoenix
Christina Kalantzi
Phoenix
7500+1 sculptures
7500+1 sculptures
Drifting
Aristomenis Chatzipapas
Drifting
"200 years since the Revolution of 1821 and the role of Corfu"
Nikolaos Korakianitis
"200 years since the Revolution of 1821 and the role of Corfu"
DeepRedShip
Christina Sfakianaki
DeepRedShip
Bread And A Blanket
Dimitris Gkrintzos
Bread And A Blanket
Allimonò
Allimonò
BRAIN_RINTH
BRAIN_RINTH
Voices in our heads
Valassia Dodoulou
Voices in our heads
Forest of Winds
Views: 1193

With the opportunity of the preparation of the trip, the productive process of maintenance, repair and work in the area of the shipyard, the project "Forest of Winds" is created. The project was named "Forest of Winds" because of the sound of the wind passing through the masts of the boats. The "Forest of Winds" is a 360 video animation evolving into a theatrical space and indefinite time. The video depicts the invisible side of a dream, the dream of a journey and its preparation with the forms of workers hovering impersonal in space as work uniforms, creating a choreographed kinesiological narrative process. The forms of workers rub, shine and accomplish all kinds of jobs with their repetitive motions, until they are left in space like objects in an endless free fall.

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Phoenix
Views: 1902

Phoenix is the rebirth of the refugees. It is what was left of the big fire in the Moria's camp.

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7500+1 sculptures
Views: 749

The Video installation in the exhibition emphasizes and at the same time negates the temporality of a medium whose dominant form of expression is space.

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Drifting
Views: 842

Social sensitization animation project on road safety. It emphasizes the use of a safety helmet when driving a motorcycle.

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"200 years since the Revolution of 1821 and the role of Corfu"
Views: 1727

The present postgraduate thesis was prepared in the context of the completion of the postgraduate program of the Department of Sound and Visual Arts of the Ionian University.
The study of the subject will be the facts and data on the occasion of the completion of 200 years since the Greek Revolution.
The present work aims to enrich the theoretical framework of study. Its structure is based on data that I have collected (rare photographic material, letters, etc.), from the Public Archives of the State, the Kapodistrias Museum and the Reading Company.

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DeepRedShip
Views: 895

Paraphrase, reference of the title to the depression caused by the shocking images of drowned children in the Mediterranean, the watery grave of persecuted refuges.

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Bread And A Blanket
Views: 1575

It’s Monday, the 13th of December 1943, the small town of Kalavryta is set on fire by the occupation army of Nazi Germany while the entire male population is being gathered on a nearby hill and shot dead. This war crime will go down in history, along with the massacre of Acqui Division, as the largest mass killing in Greece during WWII. Three men who witnessed these events as kids, locked up with the rest women, children and elderly people in Kalavryta’s primary school, recall this traumatic experience.

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Allimonò
Views: 1291

The fulfillment of a last wish leads Filippo to a retrospection from the mountains of Epirus to the recent past of the year 1945. His meeting with his history revives the memory of a whole village, unfolding the relations and the bonding of two peoples against the commands of an era, which is not as far as we think.

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BRAIN_RINTH
Views: 1322

BRAINRINTH is a multi-channel video installation. The work attempts – through technology – to approach brain-related functions of memory, drawing on material from personal experience of the body in crisis. The title BRAINRINTH –from the words Brain and Labyrinth – is a play on the intractable riddle of an archetypal Greek structure (the labyrinth) and the labyrinthine processes of the human brain. The BRAINRINTH installation seeks a poetic mapping of the human brain.
Due to the shock of trauma, our understanding of the functioning of the body, and of nature itself –which we are trying to dominate – seems desperate and full of anxiety. Taking this into account, if we adopt a position in which we keep a distance of aesthetic neutrality, perhaps this reality begins to look less frightening.

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Voices in our heads
Views: 940

Α video art piece with performance and art installation elements in public space.

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