Me, myself & ai

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Views: 1476

Α creative dynamic dialogue with artificial intelligence (ai). The cursor is about to press "generate". Analyzing.



EX-SITU [existing situations]. Destruction as an social-artistic practice.
Tonia Aino
EX-SITU [existing situations]. Destruction as an social-artistic practice.
"ano” + "throsko”
"ano” + "throsko”
Dissolving
Evangelos Aslanidis
Dissolving
Safe Travel
Safe Travel
ATHENDS
Giorgos Polymeropoulos
ATHENDS
The metaphor to the coexistence of real and digital space
Evgenia Faliaridou
The metaphor to the coexistence of real and digital space
The dream 2- Intersections
Maria Paresia Pasipoularidou
The dream 2- Intersections
The portrait of my mother
Xanthos Tsafalopoulos
The portrait of my mother
Phoenix
Christina Kalantzi
Phoenix
State Of Affairs
Nichoalos Κarnampatides
State Of Affairs
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Views: 2051

EX-SITU[existing situations] is an interactive installation that incorporates a computer, sound, and lighting technologies in which users/ viewers take part in the destruction of the painting by stepping on it. At the same time, a motion tracking system marks visitors and a light spot tracks them.​
The content of EX SITU calls for awareness of social indifference, self-promotion, and their impact on society. The structure of EX SITU is intentionally ambiguous, revealing the obsession/fascination for the protection of material in contrast with the empathy for other people.
The interactive installation underlines the responsibility of individuals in society. The theoretical part analyses the Destruction in Art Symposium in 1966 and The bystander effect, or bystander apathy, in which individuals are less likely to offer help to a victim when other people are present.

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"ano” + "throsko”
Views: 1465

It is a work of digital design in real time that in its evolution displays the Word human, relationship coupling, thoughts and feelings..

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Dissolving
Views: 849

"Dissloving" is about an interactive audiovisual installation in progress, part of the thematic titled "Memory Void," assigned to us during the "Interactive Environments - Installations" Module. 

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ATHENDS
Views: 1185

The ATHENDS project is an interactive installation whose purpose is to comment on the Greek media and how it fulfills its purpose based on the violent and unfiltered transmission of information.

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The metaphor to the coexistence of real and digital space
Views: 2578

The video is a documentation of a spatial installation with a dual role, through viewing / observation and participation. The investigation of the relationship that develops between digital and real space, acting in it, as the main axis of the narrative, the human being is the framework of the research with object of study the concept of metaphor to the coexistence of experience as a narrative and of the experience of the present as a fact of performance. The real environment through recording projected into an analog painting and transferred to a digital environment (images-video- video projection) connecting the real, the digital and painting form. Respectively, the natural environment of the installation transferred to the projection surface, in a digital space, via the camera and projector.

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The dream 2- Intersections
Views: 1517

While we dream, much of the information that the brain involuntarily collects during the day, is intersected and integrated with previous experience and can be used in future behaviors.

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The portrait of my mother
Views: 1792

A day in my mother's life. The documentary shows her daily routine, something that I personally find very interesting as I believe that the true self of a person lies in the "insignificant".

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Phoenix
Views: 2573

Phoenix is the rebirth of the refugees. It is what was left of the big fire in the Moria's camp.

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State Of Affairs
Views: 2398

When the observer is standing in front of a work of art and is trying to comprehend it, they are consciously entering a recognition process. This is achieved because the brain recognizes the relationship between some shapes or colors in the piece of art and, automatically, recalls them from memory. This procedure creates the necessary conditions for the creation of new neural synapses. Using these facts?, the artist suggests an audiovisual performance that includes an interference of audio to the visual aspect? in real time.

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AVARTS IONIAN UNIVERSITY

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