Drifting

work-image
Views: 1012

Social sensitization animation project on road safety. It emphasizes the use of a safety helmet when driving a motorcycle. The project was realized by the "Graffiti Animation Lab" (Applied Arts Sector/ 9th Vocational High School of Patras) with the participation of 13 adult students. It was produced with the team-work approach to learning and the implementation of conventional animation techniques.



Angst
Katerina Zachariadi
Angst
Me, herself & ai
Marinos Pavlidis
Me, herself & ai
Riot - Strike - Riot
Giorgos Gargalas
Riot - Strike - Riot
Negative Buoyancy, the story of a freediver
Dimitra Delfi
Negative Buoyancy, the story of a freediver
Panopticon
Lampros Marios Pavlakis
Panopticon
Confusion
Fani Kesidou
Confusion
The Last One Never Laughs
Stratis Alvanos
The Last One Never Laughs
Inside the body
Eleni Mitrouska
Inside the body
The dream 2- Intersections
Maria Paresia Pasipoularidou
The dream 2- Intersections
Ruta
Marilu Theologiti
Ruta
Me, herself & ai
Views: 1195

Mirror project that interacts with "Me myself & ai" by Sofi Moutafi. The creation of this work results from the collaboration of man and machine, which places it at the intersection of these two great sets.

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Riot - Strike - Riot
Views: 1509

This is the first video of my audiovisual installation entitled "Riot Strike Riot". The audiovisual installation entitled "Riot Strike Riot" is based on the political repression and social disorders of recent years with a focus on Greece, but also with influences from abroad. The installation has presented from a subjective point of view, the socio-political image of today through audiovisual digital media, interactive systems, and objects.

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Negative Buoyancy, the story of a freediver
Views: 1894

A freediver transforms into water while he dives beneath the surface, connects with nature and becomes a part of the underwater environment by hunting like a marine predator.
The mesmerizing underwater world is accessible to those who overcome fear and dare to push their human limits a little further in order to explore it. The passion with the serene world beneath the surface becomes a lifestyle for those who surrender themselves to negative buoyancy.

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Panopticon
Views: 870

It is an Interactive Installation that deals with the issues of immigration, wars and surveillance of citizens on a global scale.

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Confusion
Views: 815

An interactive symbolic work consisting of a wire brain construction is presented. 

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The Last One Never Laughs
Views: 1304

A journalist, who has lost his identity, visits an uncanny land, in which the smile is banned by law. He feels lost in its dystopia, consisted of self-destructive people, who deplore the smile. He gains many personal experiences that make him unaware of his aim and his human state as well. Will he eventually be able to find a way out?

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Inside the body
Views: 990

Every expression of the subject is inherent in the body image, indicating the lack of being, which desire tries to cover.

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The dream 2- Intersections
Views: 1129

While we dream, much of the information that the brain involuntarily collects during the day, is intersected and integrated with previous experience and can be used in future behaviors.

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Ruta
Views: 2091

The compositional method is based on the incorporation of sound material of cultural background into an electroacoustic piece. By drawing a linear narration, my aim was to demonstrate a unity, an imaginary community, which characterizes the Romani culture, despite the hybridic, complicated and diverse traditions deriving from the various European and Asian countries its people live in. A central question behind the making of this piece is what kind of role can a civilization have today, when the concept of space is eliminated by time- a key element in the dynamics of capitalism. What are the cultural consequences of the so-called annihilation of time and space, as materialized and tangible dimensions of social life? Are historical tradition and the search for roots promoted and reorganized as simulacra, imitations or/and museum culture, thourgh the demonstration of a partly deceptive past?

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