State Of Affairs

work-image
Views: 1780

When the observer is standing in front of a work of art and is trying to comprehend it, they are consciously entering a recognition process. This is achieved because the brain recognizes the relationship between some shapes or colors in the piece of art and, automatically, recalls them from memory. This procedure creates the necessary conditions for the creation of new neural synapses. Using these facts?, the artist suggests an audiovisual performance that includes an interference of audio to the visual aspect? in real time.



Forest of Winds
Orestis Dimopoulos
Forest of Winds
Inside the body
Eleni Mitrouska
Inside the body
Confusion
Fani Kesidou
Confusion
Athens, my love
Dimitris Kechris
Athens, my love
Angst
Katerina Zachariadi
Angst
become
become
Konstantinos Kamitsis Live AV Performance
Konstantinos Kamitsis
Konstantinos Kamitsis Live AV Performance
One week in ten minutes
Giota Andriakaina
One week in ten minutes
Aynadamar
Margarita Chalakatevaki
Aynadamar
BRAIN_RINTH
BRAIN_RINTH
Forest of Winds
Views: 1177

With the opportunity of the preparation of the trip, the productive process of maintenance, repair and work in the area of the shipyard, the project "Forest of Winds" is created. The project was named "Forest of Winds" because of the sound of the wind passing through the masts of the boats. The "Forest of Winds" is a 360 video animation evolving into a theatrical space and indefinite time. The video depicts the invisible side of a dream, the dream of a journey and its preparation with the forms of workers hovering impersonal in space as work uniforms, creating a choreographed kinesiological narrative process. The forms of workers rub, shine and accomplish all kinds of jobs with their repetitive motions, until they are left in space like objects in an endless free fall.

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Inside the body
Views: 848

Every expression of the subject is inherent in the body image, indicating the lack of being, which desire tries to cover.

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Confusion
Views: 588

An interactive symbolic work consisting of a wire brain construction is presented. 

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Athens, my love
Views: 688

An essay-film which looks for mnemic traces of major political events inscribed in the body of the metropolitan entity of Athens.

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become
Views: 1114

In this video art work 39 persons of different ages are invited to sit in front of the same black door, talk about their favourite object and in what, by using this object, they could be transformed. In the final cut only the silent expressions are kept.

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One week in ten minutes
Views: 1671

One week in ten minutes is a video in which the recording of unboxing, the act of opening the boxes, confronts the viewer with the repeated search in empty boxes that contain absolutely nothing. Each box is the promise of a gift which is to come, promising a gift whose dispatchment is always deferred.

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Aynadamar
Views: 1826

Aynadamar: An important place as far back as when the Arabs were in the area. The whole region of Andalusia was supplied with water through that spring, reaching as far as Madrid. Several years later, the poet and playwright Federico Garcia Lorca is taken there to be executed. His work in turn supplied the whole Spain and spread to the rest of the world. The documentary intertwines significant events of his life with dramatised excerpts from his work, aiming at achieving Duende (as Lorca used to say), the quintessence of all things.

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BRAIN_RINTH
Views: 1284

BRAINRINTH is a multi-channel video installation. The work attempts – through technology – to approach brain-related functions of memory, drawing on material from personal experience of the body in crisis. The title BRAINRINTH –from the words Brain and Labyrinth – is a play on the intractable riddle of an archetypal Greek structure (the labyrinth) and the labyrinthine processes of the human brain. The BRAINRINTH installation seeks a poetic mapping of the human brain.
Due to the shock of trauma, our understanding of the functioning of the body, and of nature itself –which we are trying to dominate – seems desperate and full of anxiety. Taking this into account, if we adopt a position in which we keep a distance of aesthetic neutrality, perhaps this reality begins to look less frightening.

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AVARTS IONIAN UNIVERSITY

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