State Of Affairs

work-image
Views: 2191

When the observer is standing in front of a work of art and is trying to comprehend it, they are consciously entering a recognition process. This is achieved because the brain recognizes the relationship between some shapes or colors in the piece of art and, automatically, recalls them from memory. This procedure creates the necessary conditions for the creation of new neural synapses. Using these facts?, the artist suggests an audiovisual performance that includes an interference of audio to the visual aspect? in real time.



Anastasia Manou Live AV Performance
Anastasia Manou
Anastasia Manou Live AV Performance
Paralysis by Analysis
Evangelos Aslanidis
Paralysis by Analysis
Panopticon
Lampros Marios Pavlakis
Panopticon
Ticket
Marina Kappou
Ticket
Me, myself & ai
Sofi Moutafi
Me, myself & ai
The portrait of my mother
Xanthos Tsafalopoulos
The portrait of my mother
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Tonia Aino
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Dharmadhatu
Martha Gogakou
Dharmadhatu
become
become
ATHENDS
Giorgos Polymeropoulos
ATHENDS
Paralysis by Analysis
Views: 860

The audiovisual work "Paralysis by Analysis" presents a combined experience that unfolds in two chapters of two and three dimensions respectively.

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Panopticon
Views: 1015

It is an Interactive Installation that deals with the issues of immigration, wars and surveillance of citizens on a global scale.

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Ticket
Views: 1377

documentary - Narrated by Christina Koblitsi

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Me, myself & ai
Views: 1301

Α creative dynamic dialogue with artificial intelligence (ai). The cursor is about to press "generate". Analyzing.

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The portrait of my mother
Views: 1606

A day in my mother's life. The documentary shows her daily routine, something that I personally find very interesting as I believe that the true self of a person lies in the "insignificant".

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EX-SITU [existing situations]. Destruction as an social-artistic practice.
Views: 1908

EX-SITU[existing situations] is an interactive installation that incorporates a computer, sound, and lighting technologies in which users/ viewers take part in the destruction of the painting by stepping on it. At the same time, a motion tracking system marks visitors and a light spot tracks them.​
The content of EX SITU calls for awareness of social indifference, self-promotion, and their impact on society. The structure of EX SITU is intentionally ambiguous, revealing the obsession/fascination for the protection of material in contrast with the empathy for other people.
The interactive installation underlines the responsibility of individuals in society. The theoretical part analyses the Destruction in Art Symposium in 1966 and The bystander effect, or bystander apathy, in which individuals are less likely to offer help to a victim when other people are present.

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Dharmadhatu
Views: 2131

"Dharmadhatu" is an experimental audiovisual video with linear narrative. It has been created with an original experimental technique, where each frame results from a live recording of the behavior of flowing colors on a painted surface.

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become
Views: 1526

In this video art work 39 persons of different ages are invited to sit in front of the same black door, talk about their favourite object and in what, by using this object, they could be transformed. In the final cut only the silent expressions are kept.

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ATHENDS
Views: 1006

The ATHENDS project is an interactive installation whose purpose is to comment on the Greek media and how it fulfills its purpose based on the violent and unfiltered transmission of information.

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AVARTS IONIAN UNIVERSITY

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