Negative Buoyancy, the story of a freediver

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Views: 1818

A freediver transforms into water while he dives beneath the surface, connects with nature and becomes a part of the underwater environment by hunting like a marine predator.
The mesmerizing underwater world is accessible to those who overcome fear and dare to push their human limits a little further in order to explore it. The passion with the serene world beneath the surface becomes a lifestyle for those who surrender themselves to negative buoyancy.



Eterotopia
Ioanna Tzampa
Eterotopia
Inner Journey
Eleni Mitrouska
Inner Journey
Forest of Winds
Orestis Dimopoulos
Forest of Winds
Bread And A Blanket
Dimitris Gkrintzos
Bread And A Blanket
Bouquets: Artifact Conglomerations
Bouquets: Artifact Conglomerations
Intersecting Worlds
Intersecting Worlds
Angst
Katerina Zachariadi
Angst
7500+1 sculptures
7500+1 sculptures
SocialGR
Vasilis Alexandrou
SocialGR
DeepRedShip
Christina Sfakianaki
DeepRedShip
Eterotopia
Views: 1055

Eterotopia. Place within a Place that violates real time.

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Forest of Winds
Views: 1310

With the opportunity of the preparation of the trip, the productive process of maintenance, repair and work in the area of the shipyard, the project "Forest of Winds" is created. The project was named "Forest of Winds" because of the sound of the wind passing through the masts of the boats. The "Forest of Winds" is a 360 video animation evolving into a theatrical space and indefinite time. The video depicts the invisible side of a dream, the dream of a journey and its preparation with the forms of workers hovering impersonal in space as work uniforms, creating a choreographed kinesiological narrative process. The forms of workers rub, shine and accomplish all kinds of jobs with their repetitive motions, until they are left in space like objects in an endless free fall.

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Bread And A Blanket
Views: 1694

It’s Monday, the 13th of December 1943, the small town of Kalavryta is set on fire by the occupation army of Nazi Germany while the entire male population is being gathered on a nearby hill and shot dead. This war crime will go down in history, along with the massacre of Acqui Division, as the largest mass killing in Greece during WWII. Three men who witnessed these events as kids, locked up with the rest women, children and elderly people in Kalavryta’s primary school, recall this traumatic experience.

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Bouquets: Artifact Conglomerations
Views: 1192

The project composes a series of random artifacts relating to art and design history, used either ας decorative or utilitarian artifacts, turning them into a non-definitive object [bouquet] floating in space.

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Intersecting Worlds
Views: 1201

Creation of a group installation entitled Intersecting Worlds. The installation raises questions about the diversity and dynamics of the digital world, the limits and possibilities of technology and how it interacts and transforms contemporary life, creating new stimuli and a new way of looking at everyday life.

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7500+1 sculptures
Views: 852

The Video installation in the exhibition emphasizes and at the same time negates the temporality of a medium whose dominant form of expression is space.

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SocialGR
Views: 1453

This artwork consists of multiple videos of scrolls down found in well-known social media, which were taken by smart phone and are displayed in a horizontal layout and continuous flow. On a second reading and as the viewer moves away from the individual information, he or she realizes that the Greek flag is formed in the video. The artwork seeks to ask questions about the ever-increasing use and abuse of social media in Greek everyday life. Being sometimes means of communication and information and sometimes tools of manipulation, social media make people concern and strongly influence society in its entirety, while the posts of their multiple users are now an integral part of our modern (digital) public space.

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DeepRedShip
Views: 1031

Paraphrase, reference of the title to the depression caused by the shocking images of drowned children in the Mediterranean, the watery grave of persecuted refuges.

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AVARTS IONIAN UNIVERSITY

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