Bread And A Blanket

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Views: 2168

It’s Monday, the 13th of December 1943, the small town of Kalavryta is set on fire by the occupation army of Nazi Germany while the entire male population is being gathered on a nearby hill and shot dead. This war crime will go down in history, along with the massacre of Acqui Division, as the largest mass killing in Greece during WWII. Three men who witnessed these events as kids, locked up with the rest women, children and elderly people in Kalavryta’s primary school, recall this traumatic experience.

Director / Cinematographer / Editing / Script / Sound Mix / Music: Dimitris Gkrintzos Supervision: Maria Chalkou Assistant Directors: Nikos Gkrintzos, Margarita Chalakatevaki Sound recording: Dimitris Gkrintzos, Margarita Chalakatevaki Accordeon: Margarita Chalakatevaki Cast: Sokratis Athanasiadis, Yorgos Dimopoulos, Sotiris Thanopoulos



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At some point it will overflow
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Dharmadhatu
Views: 2386

"Dharmadhatu" is an experimental audiovisual video with linear narrative. It has been created with an original experimental technique, where each frame results from a live recording of the behavior of flowing colors on a painted surface.

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Ticket
Views: 1653

documentary - Narrated by Christina Koblitsi

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The Room
Views: 1924

Where do memories go when they are lost? Are they still where we left them, if we don’t recall them? In this room, as private and irrevocable as our memory, objects animate a series of scenarios. A memory floods the room, another struggles to disclose itself, another one leaks back and forth in time. The idea of the ‘other’ hovers between what has already passed and what is reminisced every time. We never recollect events and spaces as such. We always enliven recollections in our own way. Through constant evocations that seek to perpetuate the existence of the ‘room’, memories converse with space and time, as well as with a part of ourselves. Either as past, forgetfulness or loss, they always contain something that is already gone.

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EX-SITU [existing situations]. Destruction as an social-artistic practice.
Views: 2069

EX-SITU[existing situations] is an interactive installation that incorporates a computer, sound, and lighting technologies in which users/ viewers take part in the destruction of the painting by stepping on it. At the same time, a motion tracking system marks visitors and a light spot tracks them.​
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The interactive installation underlines the responsibility of individuals in society. The theoretical part analyses the Destruction in Art Symposium in 1966 and The bystander effect, or bystander apathy, in which individuals are less likely to offer help to a victim when other people are present.

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Electroakoustic Music and Painting based on Vincent's Van Gogh Starry Night
Views: 3641

As Vincent van Gogh's "Starry Night" is one of my favorite paintings, I created an acoustic composition with the main goal of creating an atmosphere with a freer and more abstract approach. The small touches, the colors, the swirling flow, the natural landscape of the painting and the psychosynthesis of the artist are captured. The piece in combination with two images consists of three parts. In the first part, the night landscape is presented, in the second the intense emotions of the artist and in the third the nature with its power that calms the human soul.

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Views: 964

The audiovisual work "Paralysis by Analysis" presents a combined experience that unfolds in two chapters of two and three dimensions respectively.

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At some point it will overflow
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Α thought upon all the things we don't listen to, until we can't but listen. Αη animation featuring a creature balancing over the words that are haunting her.

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devout Iongings
Views: 1608

This is a Iove story between a female statue and a man. It is about the pious desires of people ας they apply them to the interpersonal relationships they develop.

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Goutzos
Views: 1649

Visual investigation and documentation of the slaughter of pigs.

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City symphony
Views: 1739

Observational documentary: People and daily life in the city of Corfu before covid 19.

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