Bread And A Blanket

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Views: 1937

It’s Monday, the 13th of December 1943, the small town of Kalavryta is set on fire by the occupation army of Nazi Germany while the entire male population is being gathered on a nearby hill and shot dead. This war crime will go down in history, along with the massacre of Acqui Division, as the largest mass killing in Greece during WWII. Three men who witnessed these events as kids, locked up with the rest women, children and elderly people in Kalavryta’s primary school, recall this traumatic experience.

Director / Cinematographer / Editing / Script / Sound Mix / Music: Dimitris Gkrintzos Supervision: Maria Chalkou Assistant Directors: Nikos Gkrintzos, Margarita Chalakatevaki Sound recording: Dimitris Gkrintzos, Margarita Chalakatevaki Accordeon: Margarita Chalakatevaki Cast: Sokratis Athanasiadis, Yorgos Dimopoulos, Sotiris Thanopoulos



The failure of rationalization
Agatha Mingou
The failure of rationalization
SpacelSelf
Ioanna Mazi
SpacelSelf
Construction
Ioanna Paraskevopoulou
Construction
LOCKDOWN
Markella Floka
LOCKDOWN
Sound Art
Sound Art
Paralysis by Analysis
Evangelos Aslanidis
Paralysis by Analysis
A different portrait
Filitsa Gougoudi
A different portrait
Our garbage, the other's treasure
Thanos Tsigkas
Our garbage, the other's treasure
Drifting
Aristomenis Chatzipapas
Drifting
The Room
The Room
The failure of rationalization
Views: 1279

This art piece is trying to express the struggle between letting go ας one would use nature for meditative reasons and the over controlling mind fixating on patterns deriving from sea foam lines.

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SpacelSelf
Views: 1092

Α work based on the rules of kinetic poetry and explores the relationship between Space and Self. The Space defined by our Self [Ego] is malleable, it changes and interacts with the Space of Others. Physical and non-physical, the Space covered by the Ego is hetero-determined and constantly changing in eternity.

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Construction
Views: 1294

"Construction" is the documentation of the process of a rehearsal performed by contemporary dance and acrobatics company "Ki omWs kineitai" during the preparation of the group to participate in a theatrical play. It took place during the second lockdown in Athens in a climate of general uncertainty regarding the planning and performing of live performances. In "Construction" the return of the bodies to rehearsal conditions, the need for communication and reconnection and the memory of sharing with the spectators that still gives hope are recorded in a spontaneous and fragmentary way.

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LOCKDOWN
Views: 1436

This video was created as part of the work for the art class of technical images. It was named lock down as it takes place during the second quarantine and shows two parallel lives of people and how each of them experiences their confinement. The idea, the shots and the editing are by Markella Floka and the music was entirely edited by Dimitris Pantelis.

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Paralysis by Analysis
Views: 857

The audiovisual work "Paralysis by Analysis" presents a combined experience that unfolds in two chapters of two and three dimensions respectively.

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A different portrait
Views: 1334

Artist Paris Chatzigiannis, in his studio, talks about his life with painting.

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Our garbage, the other's treasure
Views: 1289

This documentary follows a young man who collects “useless” objects, like electronic devices that people throw away. To him, a broken hoover or a rusty stove is an opportunity to explore its “inner micro-world”, which is comprised of complex circuits, motors and other electronic systems. It is also a chance to alter those devices and give them a new life.

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Drifting
Views: 1174

Social sensitization animation project on road safety. It emphasizes the use of a safety helmet when driving a motorcycle.

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The Room
Views: 1710

Where do memories go when they are lost? Are they still where we left them, if we don’t recall them? In this room, as private and irrevocable as our memory, objects animate a series of scenarios. A memory floods the room, another struggles to disclose itself, another one leaks back and forth in time. The idea of the ‘other’ hovers between what has already passed and what is reminisced every time. We never recollect events and spaces as such. We always enliven recollections in our own way. Through constant evocations that seek to perpetuate the existence of the ‘room’, memories converse with space and time, as well as with a part of ourselves. Either as past, forgetfulness or loss, they always contain something that is already gone.

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AVARTS IONIAN UNIVERSITY

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