Aynadamar

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Views: 1340

Aynadamar: An important place as far back as when the Arabs were in the area. The whole region of Andalusia was supplied with water through that spring, reaching as far as Madrid. Several years later, the poet and playwright Federico Garcia Lorca is taken there to be executed. His work in turn supplied the whole Spain and spread to the rest of the world. The documentary intertwines significant events of his life with dramatised excerpts from his work, aiming at achieving Duende (as Lorca used to say), the quintessence of all things.

Script,director: Margarita Chalakatevaki Assistant director: Dimitris Gkrintzos Spyros Kavvadias Editing: Margarita Chalakatevaki Music: Margarita Chalakatevaki Sound recording, mixing: Andreas Vouliakis Cinematography: Dimitris Gkrintzos Spyros Kavvadias Spyros Christoforatos Translation: Vasia Kordilla Cast Yerma Nafsika Nanou Juan Eftychios Selearis Little boy Ionas Singh Marianna Pineda Anita Liatsi Narration Sophia Ketentzian Recitation Margarita Chalakatevaki Singing voice Konstadina Koumouli



Wroom
Konstantia Makri
Wroom
Fish in a box
Alexis Sidiropoulos
Fish in a box
Where do I exist?
Sousana Romanidou
Where do I exist?
Confusion
Fani Kesidou
Confusion
Effort for Integration
Melina Nafsika Efthymiou
Effort for Integration
Portrait
Ioannis Panayi
Portrait
ZEN
Melina Nafsika Efthymiou
ZEN
The portrait of my mother
Xanthos Tsafalopoulos
The portrait of my mother
Fear - Hope
Outsika Chrysavgi
Fear - Hope
Hear the Shape-See the Sound
Gelina Palla
Hear the Shape-See the Sound
Wroom
Views: 371

The Wroom, is a movie that start with two red iron cars, a 1953 Chevrolet 1100 & a 1954 Magirus Deutz small fire engine, spilling out of a race of skills, flips and drifts at speed in the dining room of their home. In a brightly room, in a world where imagination knows no bounds.

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Fish in a box
Views: 801

Visual investigation and documentation of the production chain of a fish packing factory.

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Where do I exist?
Views: 1341

The title of this artwork is "Where Do I Exist?". This is a virtual space that explores the relationship between reality and virtual reality. Moreover, it the result of a pandemic society that tends to communicate through social media. It is the impression of our lifes into a virtual world, free from our body and the stereotypes it might follows it. Could we be free from our body and ideas such as gender identity and death? What is the meaning of touch into an immaterial world? Anyone can be part of this artwork with a twitter hashtag of the word #immaterial.

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Confusion
Views: 325

An interactive symbolic work consisting of a wire brain construction is presented. 

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Effort for Integration
Views: 1024

A short documentary about the living conditions in the refugee camp of Samos island. Ιt records fragments of the children's daily lives and the personal effort of an Afghan resident of the camp, while he is teaching english to other members of his community.

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Portrait
Views: 776

As an observer, who neither intervenes nor interacts with the subject, this documentary attempts to present parts of the everyday life of a music therapy student, emphasizing her expressions and reactions while producing sounds and improvising.

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ZEN
Views: 739

A short portrait of a young person with artistic and existential concerns.

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The portrait of my mother
Views: 1004

A day in my mother's life. The documentary shows her daily routine, something that I personally find very interesting as I believe that the true self of a person lies in the "insignificant".

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Fear - Hope
Views: 1051

Presentation of 3d projection mapping, on Church of Panagia ton Xenon, Kyra - Faneromeni (Old Town, Corfu, Greece), October 2, 2020 at 10:00.

In the dissertation, following the strategy of deliberate ambiguity and crossing different eras, we go through a path of images and information, which express hope and fear in various fields and they characterize every culture and every society.

At the same time, moving from formalism to realism, it emerges that the Aristotelian definition of the representational unity of space-time-action is no longer valid in art. Undoubtedly, the formalist movement has shown that planes are understood not only as sequences of logical units, but also as theoretical or ideological conceptions, where their connection is not legitimized on the basis of the principle of space-time unit, but by some abstract theoretical model, such as is the model of metaphor, the path through contradictions, symbolism and anything else that enhances the removal of the theoretical model. But also internal realism, which is not a theory of truth, highlights the convergence of two seemingly incompatible ideas.

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Hear the Shape-See the Sound
Views: 1114

An experimental workshop was realized at the Corfu Archaeological Museum, on May 2019. The workshop was designed within the frames of interdisciplinary learning and participatory art, based on Maker culture and STEAM education, willing to highlight the importance of arts and technology in learning. The participants, children and adolescents 11 to 15 years old, were initially guided to an important archaic find at the Archaeological museum of Corfu, a pediment depicting ancient Greek goddess Artemis-Gorgo, and got acquainted with the myth surrounding it. In two groups the participants made
1. electronic circuits which produced sounds via photo resistor and conductive paint and
2. conductive drawings inspired by the archaic pediment imagery.
The two groups combined their work to create interactive installations were circuits and sensors were used to “read” the tonal variations and line elements of the pencil drawings. Documentation indicates the childrens’ immersion into the experience.

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