Angst

work-image
Views: 1819

Short animated movie.



The Room
The Room
Safe Travel
Safe Travel
EVA
Myrto Gatsiou
EVA
Something Goes
Georgia Skartadou
Something Goes
At some point it will overflow
Joanna Poupaki
At some point it will overflow
Confusion
Fani Kesidou
Confusion
Inside the body
Eleni Mitrouska
Inside the body
"200 years since the Revolution of 1821 and the role of Corfu"
Nikolaos Korakianitis
"200 years since the Revolution of 1821 and the role of Corfu"
"ano” + "throsko”
"ano” + "throsko”
Drifting
Aristomenis Chatzipapas
Drifting
The Room
Views: 1606

Where do memories go when they are lost? Are they still where we left them, if we don’t recall them? In this room, as private and irrevocable as our memory, objects animate a series of scenarios. A memory floods the room, another struggles to disclose itself, another one leaks back and forth in time. The idea of the ‘other’ hovers between what has already passed and what is reminisced every time. We never recollect events and spaces as such. We always enliven recollections in our own way. Through constant evocations that seek to perpetuate the existence of the ‘room’, memories converse with space and time, as well as with a part of ourselves. Either as past, forgetfulness or loss, they always contain something that is already gone.

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EVA
Views: 2176

The short documentary focuses on the preparation of the solo performance "EVA", performed by the dancer and performer Evangelia Randou. The project is based on her personal experiences and has been created and staged by her. The film reveals the moments when the dancer works with her body, experiments, creates and improvises. The documentary is a portrait of the dancer herself, but also of the work she creates.

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Something Goes
Views: 2030

The current project is a digital, interactive, audiovisual application that can be used either as a virtual installation accompanied by a simultaneous projection of its content in the physical space or be distributed as an executable digital medium on any computer, compatible with its technical specifications. It examines the flow of information, its creation, collection, storage, interpretation and utilization through perceptual mechanisms that mutate -enhance or degrade- with the available tools of digital reality and its transformation from a sequence of serial, adjacent and referential values to one unified context, what is usually interpreted as meaning or significance. The participants of this reality are called upon to engage at the degree of signification that expresses them better, ranging from a purely perceptual and empirical viewing to a frantic clarification of everything included.

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At some point it will overflow
Views: 1137

Α thought upon all the things we don't listen to, until we can't but listen. Αη animation featuring a creature balancing over the words that are haunting her.

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Confusion
Views: 862

An interactive symbolic work consisting of a wire brain construction is presented. 

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Inside the body
Views: 1018

Every expression of the subject is inherent in the body image, indicating the lack of being, which desire tries to cover.

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"200 years since the Revolution of 1821 and the role of Corfu"
Views: 1996

The present postgraduate thesis was prepared in the context of the completion of the postgraduate program of the Department of Sound and Visual Arts of the Ionian University.
The study of the subject will be the facts and data on the occasion of the completion of 200 years since the Greek Revolution.
The present work aims to enrich the theoretical framework of study. Its structure is based on data that I have collected (rare photographic material, letters, etc.), from the Public Archives of the State, the Kapodistrias Museum and the Reading Company.

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"ano” + "throsko”
Views: 1161

It is a work of digital design in real time that in its evolution displays the Word human, relationship coupling, thoughts and feelings..

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Drifting
Views: 1069

Social sensitization animation project on road safety. It emphasizes the use of a safety helmet when driving a motorcycle.

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