The Room

work-image
Views: 1410

Where do memories go when they are lost? Are they still where we left them, if we don’t recall them? In this room, as private and irrevocable as our memory, objects animate a series of scenarios. A memory floods the room, another struggles to disclose itself, another one leaks back and forth in time. The idea of the ‘other’ hovers between what has already passed and what is reminisced every time. We never recollect events and spaces as such. We always enliven recollections in our own way. Through constant evocations that seek to perpetuate the existence of the ‘room’, memories converse with space and time, as well as with a part of ourselves. Either as past, forgetfulness or loss, they always contain something that is already gone.

Curation: Konstantinos Tiligadis Sound Design: Apostolos Loufopoulos Visual Design: Angeliki Malakasioti



Passage through the Underworlds
Minas Pergantis
Passage through the Underworlds
Changing room
Nektarios Pachiadakis
Changing room
Metamorphosis
Charis Myrsilidi
Metamorphosis
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Tonia Aino
EX-SITU [existing situations]. Destruction as an social-artistic practice.
"HUMANE"
Christina Kapetaniou
"HUMANE"
ΟBLIVION: A Rotoscoping Videoclip
Sosanna Natalia Tsaousi
ΟBLIVION: A Rotoscoping Videoclip
Life as a Blooming Flower
Vivi Perysinaki
Life as a Blooming Flower
A Quest For Eternity
A Quest For Eternity
Phoenix
Christina Kalantzi
Phoenix
Demetris: A Visual Artist
Eleftheria Kiratzidou
Demetris: A Visual Artist
Passage through the Underworlds
Views: 1262

Audiovisual work about postmortem punishment as it is depicted in the cultural conscience of the western world, using atmosphere as a narrative tool.

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Changing room
Views: 563

A place of relative isolation and no influence from the outside environment. Black cloth with a small opening that the viewer enters wearing headphones and playing a soundscape I created on a magnifying glass. 

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Metamorphosis
Views: 1630

The subject of Charis Myrsilidi’s thesis concerns the transfer of literary text to image. The excerpts of the selected texts are stories from the Grimm brothers' fairy tales and the connecting link is the pattern of transformation (metamorphosis). The presentation of the practical part of the thesis concerns an installation with clay sculptures, sound track and lighting. The sculptural space is formed by Charis Myrsilidi, a student of the Department of Audio Visual Arts and the sound by the composer Ioannis Konsolakis.

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EX-SITU [existing situations]. Destruction as an social-artistic practice.
Views: 1684

EX-SITU[existing situations] is an interactive installation that incorporates a computer, sound, and lighting technologies in which users/ viewers take part in the destruction of the painting by stepping on it. At the same time, a motion tracking system marks visitors and a light spot tracks them.​
The content of EX SITU calls for awareness of social indifference, self-promotion, and their impact on society. The structure of EX SITU is intentionally ambiguous, revealing the obsession/fascination for the protection of material in contrast with the empathy for other people.
The interactive installation underlines the responsibility of individuals in society. The theoretical part analyses the Destruction in Art Symposium in 1966 and The bystander effect, or bystander apathy, in which individuals are less likely to offer help to a victim when other people are present.

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"HUMANE"
Views: 1406

I closed my eyes and images began to flood my mind while hearing a sound. After many visualizations of the images into drawings I chose this narrative.
I chose to emphasize the vortex I was feeling.
It was a spontaneous way to record what I experienced.

Each person through his own sensors experiences the ambience of each condition. It all depends on the self, the internal, the mind, the way of perception, action, perspective.
So my own images, were born from my mind for my mind.
Maybe it is paranoia of the mind and one can emigrate it.
This is the most difficult,
the deconstruction of atmospheres - experiences - memories that contain emotion.
Because emotional paranoias are shadows nourished by repetition and persistence.
They dance as if they are Erinyes of the mind and the body gets to be an eradicated observer.

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ΟBLIVION: A Rotoscoping Videoclip
Views: 1685

This thesis is about the production, direction and animation οf a contemporary dance music video lasting four (4) minutes. Its title is "OBLIVION: Music video using the Rotoscoping technique". Its subject is the loss of a great summer love and the pain that comes when this love is over. Its goal for all of its elements be to harmoniously joined together i. e. the dance, the surroundings, the colors, the music and the animation so as to make the viewer feel nostalgic and melancholic.

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Life as a Blooming Flower
Views: 1031

The project focuses on close-ups of flowers ας elements of the beauty of nature and the spiritual uplift created by the connection with it.

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A Quest For Eternity
Views: 1280

The research documentary A Quest for Eternity (2020) focuses in four different elements of Angelopoulos’s style and provides new information using and analysing the data from semi-structured interviews. This research documentary is part of Dr. Iakovos Panagopoulos practice based Phd research in the University of Central Lancashire with the title: “Reshaping Contemporary Greek Cinema Through a Re-evaluation of the Historical and Political Perspective of Theo Angelopoulos's Work”(Panagopoulos, 2019).

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Phoenix
Views: 1933

Phoenix is the rebirth of the refugees. It is what was left of the big fire in the Moria's camp.

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Demetris: A Visual Artist
Views: 1773

The cinematic portrait of a visual artist, Demetris Papazachos, a senior student of the Fine Arts School in Thessaloniki, is about featuring an artist without just showing his artwork but emphasizing at his personality and his artistic thinking instead. Through his internal journey, gay culture elements are projected while an interesting question is raised: Who is "A Visual Artist" at last?

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