Finem

work-image
Views: 1377

The performance Finem deals with app[ause ας a transformative act. The aim of the action is to deconstruct applause ας a social expression of admiration and recognition. Βγ creating a collective rhythm of imperative through the body, an experiential interaction with the participants is sought.



Lying upon a Rock
Spyros Kavvadias
Lying upon a Rock
"200 years since the Revolution of 1821 and the role of Corfu"
Nikolaos Korakianitis
"200 years since the Revolution of 1821 and the role of Corfu"
Inside the body
Eleni Mitrouska
Inside the body
Yorgos Psailas - A portrait of the British Cemetery caretaker
Spyros Christoforatos
Yorgos Psailas - A portrait of the British Cemetery caretaker
Me, myself & ai
Sofi Moutafi
Me, myself & ai
Angst
Katerina Zachariadi
Angst
Panopticon
Lampros Marios Pavlakis
Panopticon
Athens, my love
Dimitris Kechris
Athens, my love
State Of Affairs
Nichoalos Κarnampatides
State Of Affairs
The metaphor to the coexistence of real and digital space
Evgenia Faliaridou
The metaphor to the coexistence of real and digital space
Lying upon a Rock
Views: 2041

A documentary about Lazaretto, the desert islet near the city of Corfu that functioned for centuries as a quarantine station as well as a place of execution for political prisoners during the Greek Civil War. The identity of the place is approached through fragmentary testimonies and original sources.

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"200 years since the Revolution of 1821 and the role of Corfu"
Views: 2247

The present postgraduate thesis was prepared in the context of the completion of the postgraduate program of the Department of Sound and Visual Arts of the Ionian University.
The study of the subject will be the facts and data on the occasion of the completion of 200 years since the Greek Revolution.
The present work aims to enrich the theoretical framework of study. Its structure is based on data that I have collected (rare photographic material, letters, etc.), from the Public Archives of the State, the Kapodistrias Museum and the Reading Company.

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Inside the body
Views: 1161

Every expression of the subject is inherent in the body image, indicating the lack of being, which desire tries to cover.

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Yorgos Psailas - A portrait of the British Cemetery caretaker
Views: 2172

A short documentary, based on the theory of Observational Cinema. It is the portrait of the caretaker of the British Cemetery in the island of Corfu, Greece, Mr. Yorgos Psailas. The documentary deals with his daily life in the cemetery. Mr. Psailas also recounts the most important moments of his life as well as his thoughts about life and death.

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Me, myself & ai
Views: 1401

Α creative dynamic dialogue with artificial intelligence (ai). The cursor is about to press "generate". Analyzing.

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Panopticon
Views: 1114

It is an Interactive Installation that deals with the issues of immigration, wars and surveillance of citizens on a global scale.

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Athens, my love
Views: 1170

An essay-film which looks for mnemic traces of major political events inscribed in the body of the metropolitan entity of Athens.

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State Of Affairs
Views: 2313

When the observer is standing in front of a work of art and is trying to comprehend it, they are consciously entering a recognition process. This is achieved because the brain recognizes the relationship between some shapes or colors in the piece of art and, automatically, recalls them from memory. This procedure creates the necessary conditions for the creation of new neural synapses. Using these facts?, the artist suggests an audiovisual performance that includes an interference of audio to the visual aspect? in real time.

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The metaphor to the coexistence of real and digital space
Views: 2497

The video is a documentation of a spatial installation with a dual role, through viewing / observation and participation. The investigation of the relationship that develops between digital and real space, acting in it, as the main axis of the narrative, the human being is the framework of the research with object of study the concept of metaphor to the coexistence of experience as a narrative and of the experience of the present as a fact of performance. The real environment through recording projected into an analog painting and transferred to a digital environment (images-video- video projection) connecting the real, the digital and painting form. Respectively, the natural environment of the installation transferred to the projection surface, in a digital space, via the camera and projector.

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AVARTS IONIAN UNIVERSITY

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