Finem

work-image
Views: 1568

The performance Finem deals with app[ause ας a transformative act. The aim of the action is to deconstruct applause ας a social expression of admiration and recognition. Βγ creating a collective rhythm of imperative through the body, an experiential interaction with the participants is sought.



Audio Crossings
Konstantinos Tsioutas
Audio Crossings
Méliès Trilogy
Aris Melachroinos
Méliès Trilogy
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Tonia Aino
EX-SITU [existing situations]. Destruction as an social-artistic practice.
become
become
Me, myself & ai
Sofi Moutafi
Me, myself & ai
Inner Journey
Eleni Mitrouska
Inner Journey
The Hounds of Love
Giannis Andreou
The Hounds of Love
Bouquets: Artifact Conglomerations
Bouquets: Artifact Conglomerations
One week in ten minutes
Giota Andriakaina
One week in ten minutes
Riot - Strike - Riot
Giorgos Gargalas
Riot - Strike - Riot
Audio Crossings
Views: 1581

Multiple distance sensors trigger sound events ας people move around and get close to the grid with the srceens.

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Méliès Trilogy
Views: 341

The main subject of this thesis is to analyze the special effects that George Melies used and invented, as well as the creation of a short film with special and visual effects, inspired by Melies’ work. This film has been implemented using modern techniques, aiming for an outcome that seems realistic but cannot actually happen in real life. All the techniques that have been used to create the film will be analyzed in depth.

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EX-SITU [existing situations]. Destruction as an social-artistic practice.
Views: 2111

EX-SITU[existing situations] is an interactive installation that incorporates a computer, sound, and lighting technologies in which users/ viewers take part in the destruction of the painting by stepping on it. At the same time, a motion tracking system marks visitors and a light spot tracks them.​
The content of EX SITU calls for awareness of social indifference, self-promotion, and their impact on society. The structure of EX SITU is intentionally ambiguous, revealing the obsession/fascination for the protection of material in contrast with the empathy for other people.
The interactive installation underlines the responsibility of individuals in society. The theoretical part analyses the Destruction in Art Symposium in 1966 and The bystander effect, or bystander apathy, in which individuals are less likely to offer help to a victim when other people are present.

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become
Views: 1804

In this video art work 39 persons of different ages are invited to sit in front of the same black door, talk about their favourite object and in what, by using this object, they could be transformed. In the final cut only the silent expressions are kept.

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Me, myself & ai
Views: 1585

Α creative dynamic dialogue with artificial intelligence (ai). The cursor is about to press "generate". Analyzing.

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The Hounds of Love
Views: 1435

This particular project is a drag performance of my persona with references to my childhood, my relationship with my father when I was young and my mother as a working woman. It was created by using archive (videos) from my childhood and photos of the mothers of my friends.

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Bouquets: Artifact Conglomerations
Views: 1522

The project composes a series of random artifacts relating to art and design history, used either ας decorative or utilitarian artifacts, turning them into a non-definitive object [bouquet] floating in space.

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One week in ten minutes
Views: 2049

One week in ten minutes is a video in which the recording of unboxing, the act of opening the boxes, confronts the viewer with the repeated search in empty boxes that contain absolutely nothing. Each box is the promise of a gift which is to come, promising a gift whose dispatchment is always deferred.

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Riot - Strike - Riot
Views: 1932

This is the first video of my audiovisual installation entitled "Riot Strike Riot". The audiovisual installation entitled "Riot Strike Riot" is based on the political repression and social disorders of recent years with a focus on Greece, but also with influences from abroad. The installation has presented from a subjective point of view, the socio-political image of today through audiovisual digital media, interactive systems, and objects.

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AVARTS IONIAN UNIVERSITY

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