Finem

work-image
Views: 1321

The performance Finem deals with app[ause ας a transformative act. The aim of the action is to deconstruct applause ας a social expression of admiration and recognition. Βγ creating a collective rhythm of imperative through the body, an experiential interaction with the participants is sought.



Negative Buoyancy, the story of a freediver
Dimitra Delfi
Negative Buoyancy, the story of a freediver
In between moments
Sofia Androutsopoulou
In between moments
Chasing Sugar
Rania Mastrosavva
Chasing Sugar
Angst
Katerina Zachariadi
Angst
The Hounds of Love
Giannis Andreou
The Hounds of Love
Forest of Winds
Orestis Dimopoulos
Forest of Winds
The Deep Field
The Deep Field
ATHENDS
Giorgos Polymeropoulos
ATHENDS
Lying upon a Rock
Spyros Kavvadias
Lying upon a Rock
Audio Crossings
Konstantinos Tsioutas
Audio Crossings
Negative Buoyancy, the story of a freediver
Views: 2146

A freediver transforms into water while he dives beneath the surface, connects with nature and becomes a part of the underwater environment by hunting like a marine predator.
The mesmerizing underwater world is accessible to those who overcome fear and dare to push their human limits a little further in order to explore it. The passion with the serene world beneath the surface becomes a lifestyle for those who surrender themselves to negative buoyancy.

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In between moments
Views: 1088

Moments that meet and compose new ones through clips of a few seconds. Their common point is the associative thinking during their creation and the sense of the surrealistic-dreamlike mood.

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Chasing Sugar
Views: 2004

Zoe is a 25 year-old student, living in Corfu island, Greece with her only friend and roommate Anne. Waking up late an afternoon Zoe realises that her friend is missing and she goes out at night alone in search of her. The strangely empty and quiet town, a series of bizzare events and the sense that she's been followed gives her the realization that something strange is going on and her eager to find her friend grows stronger.
At that time she comes across a dark human figure that wants to capture her. Trying to escape, Zoe ends up in a white room with nothing but a mirror inside.
As she walks closer to the mirror she sees that someone is trapped inside a room. Thinking that it's her friend Anne she reaches and goes through the mirror into that other room.
As she sits down next to the other person, thinking that she is Anne, she realizes it's her own self. In a desperate and decisive moment she tries to save her double, only to realize that her double can not cross to the other side of the mirror. Realizing that there's no way out the double lets go of Zoes hand.
Zoe wakes up in her room in the morning, gets dressed and goes for a walk by the sea in the now fully alive and noisy town. As she stands and stares at the waves she meets a girl named Anne sitting nearby. After the two girls meet they sit by the sea talking.

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The Hounds of Love
Views: 1295

This particular project is a drag performance of my persona with references to my childhood, my relationship with my father when I was young and my mother as a working woman. It was created by using archive (videos) from my childhood and photos of the mothers of my friends.

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Forest of Winds
Views: 1579

With the opportunity of the preparation of the trip, the productive process of maintenance, repair and work in the area of the shipyard, the project "Forest of Winds" is created. The project was named "Forest of Winds" because of the sound of the wind passing through the masts of the boats. The "Forest of Winds" is a 360 video animation evolving into a theatrical space and indefinite time. The video depicts the invisible side of a dream, the dream of a journey and its preparation with the forms of workers hovering impersonal in space as work uniforms, creating a choreographed kinesiological narrative process. The forms of workers rub, shine and accomplish all kinds of jobs with their repetitive motions, until they are left in space like objects in an endless free fall.

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The Deep Field
Views: 1200

The female body carries a history of wounds throughout the centuries. Murders and rapes of women around the world, clitoridectomy in African countries, women covered with Chadors in Iran, Saudi Arabia and Afghanistan, women covered with Burkas in the Persian Gulf, death by stoning in India, family homicides in Pakistan, baby girls thrown in the trash upon birth in China, excision still happens today in some countries in Africa.

The female body that brings life into the world has the right to expression, sexuality, to wearing whatever it wants, to creating, falling in love, to growing old, leaving, to be free. This performance concerns the female body but also the redefinition of the position of the women today. The sound is a key part of the performance it is an original composition by Nikos Kanellakis especially for the specific action. The performance will be videotaped and the material will be displayed on a screen at the same time.

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ATHENDS
Views: 1063

The ATHENDS project is an interactive installation whose purpose is to comment on the Greek media and how it fulfills its purpose based on the violent and unfiltered transmission of information.

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Lying upon a Rock
Views: 1990

A documentary about Lazaretto, the desert islet near the city of Corfu that functioned for centuries as a quarantine station as well as a place of execution for political prisoners during the Greek Civil War. The identity of the place is approached through fragmentary testimonies and original sources.

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Audio Crossings
Views: 1323

Multiple distance sensors trigger sound events ας people move around and get close to the grid with the srceens.

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