Life as a Blooming Flower

work-image
Views: 932

The project focuses on close-ups of flowers ας elements of the beauty of nature and the spiritual uplift created by the connection with it. The modern fast-paced lifestyle often does not allow people to stop and contemplate on the natural landscape. In this Video the digital capture of blooms constitutes an optimistic record of nature, while at the same time it raises questions about humankind's alienation from nature and its enjoyment through the use of digital media.



Sound Art
Sound Art
Inner Journey
Eleni Mitrouska
Inner Journey
Private - Public
Dimitra Politi
Private - Public
7500+1 sculptures
7500+1 sculptures
Me, herself & ai
Marinos Pavlidis
Me, herself & ai
Quarantine Self Portait
Quarantine Self Portait
ATHENDS
Giorgos Polymeropoulos
ATHENDS
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Tonia Aino
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Panopticon
Lampros Marios Pavlakis
Panopticon
Something Goes
Georgia Skartadou
Something Goes
Private - Public
Views: 849

This changing frame represents an allegorical image of human nature, which when it is in dialectic with the outside world - during the transition from private to public life, experiences conflicting feelings of apprehension, anticipation, reticence, curiosity and extroversion.

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7500+1 sculptures
Views: 734

The Video installation in the exhibition emphasizes and at the same time negates the temporality of a medium whose dominant form of expression is space.

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Me, herself & ai
Views: 979

Mirror project that interacts with "Me myself & ai" by Sofi Moutafi. The creation of this work results from the collaboration of man and machine, which places it at the intersection of these two great sets.

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Quarantine Self Portait
Views: 1084

The quarantine's experience time has functioned as a humanized time. Its previous social barbarity was imprisoned in the familiar cage of my soul and became my creation time. Each day was my friend, an eternal circular and dynamic present, a consciousness without conflicts. It was like an eternity that is experienced differently every moment. An unprecedented form of stillness gripped me and perpetuated in many abstract fragments which finally formed the new texture of my existence, in this peculiar isolation. I became from the carcass of time I was before, its qualitative disintegration… Reality was distorted and experienced illusively. The time from the alienation that was before, was transformed and became the cover for the scratched truth of myself. This kind of time my conscience had dreamed to live.

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ATHENDS
Views: 605

The ATHENDS project is an interactive installation whose purpose is to comment on the Greek media and how it fulfills its purpose based on the violent and unfiltered transmission of information.

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EX-SITU [existing situations]. Destruction as an social-artistic practice.
Views: 1637

EX-SITU[existing situations] is an interactive installation that incorporates a computer, sound, and lighting technologies in which users/ viewers take part in the destruction of the painting by stepping on it. At the same time, a motion tracking system marks visitors and a light spot tracks them.​
The content of EX SITU calls for awareness of social indifference, self-promotion, and their impact on society. The structure of EX SITU is intentionally ambiguous, revealing the obsession/fascination for the protection of material in contrast with the empathy for other people.
The interactive installation underlines the responsibility of individuals in society. The theoretical part analyses the Destruction in Art Symposium in 1966 and The bystander effect, or bystander apathy, in which individuals are less likely to offer help to a victim when other people are present.

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Panopticon
Views: 621

It is an Interactive Installation that deals with the issues of immigration, wars and surveillance of citizens on a global scale.

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Something Goes
Views: 1744

The current project is a digital, interactive, audiovisual application that can be used either as a virtual installation accompanied by a simultaneous projection of its content in the physical space or be distributed as an executable digital medium on any computer, compatible with its technical specifications. It examines the flow of information, its creation, collection, storage, interpretation and utilization through perceptual mechanisms that mutate -enhance or degrade- with the available tools of digital reality and its transformation from a sequence of serial, adjacent and referential values to one unified context, what is usually interpreted as meaning or significance. The participants of this reality are called upon to engage at the degree of signification that expresses them better, ranging from a purely perceptual and empirical viewing to a frantic clarification of everything included.

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AVARTS IONIAN UNIVERSITY

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