DeepRedShip

work-image
Views: 911

Paraphrase, reference of the title to the depression caused by the shocking images of drowned children in the Mediterranean, the watery grave of persecuted refuges. "There was a small untravelled boat (...) and they drew Iots to find out Who would be eaten". Α small red boat, papery, fragile, bloody. Children... people in the sea, images that haunt us



Windows
Konstantina Kaika
Windows
Dharmadhatu
Martha Gogakou
Dharmadhatu
The failure of rationalization
Agatha Mingou
The failure of rationalization
Finem
Fani Arapi
Finem
The portrait of my mother
Xanthos Tsafalopoulos
The portrait of my mother
SocialGR
Vasilis Alexandrou
SocialGR
Audio Crossings
Konstantinos Tsioutas
Audio Crossings
Allimonò
Allimonò
Amateur actor
Lefteris Keteoglou
Amateur actor
BRAIN_RINTH
BRAIN_RINTH
Windows
Views: 923

The atmosphere of the space and the emotional charge are the dominant points in the work. The windows ας protagonists have a dual meaning. Internet windows - tabs ας a means of socialization and communication, a substitute for a life.

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Dharmadhatu
Views: 1767

"Dharmadhatu" is an experimental audiovisual video with linear narrative. It has been created with an original experimental technique, where each frame results from a live recording of the behavior of flowing colors on a painted surface.

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The failure of rationalization
Views: 937

This art piece is trying to express the struggle between letting go ας one would use nature for meditative reasons and the over controlling mind fixating on patterns deriving from sea foam lines.

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Finem
Views: 871

The performance Finem deals with app[ause ας a transformative act. The aim of the action is to deconstruct applause ας a social expression of admiration and recognition.

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The portrait of my mother
Views: 1257

A day in my mother's life. The documentary shows her daily routine, something that I personally find very interesting as I believe that the true self of a person lies in the "insignificant".

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SocialGR
Views: 1324

This artwork consists of multiple videos of scrolls down found in well-known social media, which were taken by smart phone and are displayed in a horizontal layout and continuous flow. On a second reading and as the viewer moves away from the individual information, he or she realizes that the Greek flag is formed in the video. The artwork seeks to ask questions about the ever-increasing use and abuse of social media in Greek everyday life. Being sometimes means of communication and information and sometimes tools of manipulation, social media make people concern and strongly influence society in its entirety, while the posts of their multiple users are now an integral part of our modern (digital) public space.

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Audio Crossings
Views: 895

Multiple distance sensors trigger sound events ας people move around and get close to the grid with the srceens.

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Allimonò
Views: 1298

The fulfillment of a last wish leads Filippo to a retrospection from the mountains of Epirus to the recent past of the year 1945. His meeting with his history revives the memory of a whole village, unfolding the relations and the bonding of two peoples against the commands of an era, which is not as far as we think.

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Amateur actor
Views: 1884

A professional electrician works in the villa of the rich professional actor. The electrician is also an amateur theater actor. The love of the amateur actor seems to be greater than the famous actor. The famous actor tries to make money but the amateur tries to do what he loves.

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BRAIN_RINTH
Views: 1331

BRAINRINTH is a multi-channel video installation. The work attempts – through technology – to approach brain-related functions of memory, drawing on material from personal experience of the body in crisis. The title BRAINRINTH –from the words Brain and Labyrinth – is a play on the intractable riddle of an archetypal Greek structure (the labyrinth) and the labyrinthine processes of the human brain. The BRAINRINTH installation seeks a poetic mapping of the human brain.
Due to the shock of trauma, our understanding of the functioning of the body, and of nature itself –which we are trying to dominate – seems desperate and full of anxiety. Taking this into account, if we adopt a position in which we keep a distance of aesthetic neutrality, perhaps this reality begins to look less frightening.

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