DeepRedShip

work-image
Views: 141

Paraphrase, reference of the title to the depression caused by the shocking images of drowned children in the Mediterranean, the watery grave of persecuted refuges. "There was a small untravelled boat (...) and they drew Iots to find out Who would be eaten". Α small red boat, papery, fragile, bloody. Children... people in the sea, images that haunt us



Private - Public
Dimitra Politi
Private - Public
Inner Journey
Eleni Mitrouska
Inner Journey
Negative Buoyancy, the story of a freediver
Dimitra Delfi
Negative Buoyancy, the story of a freediver
Dharmadhatu
Martha Gogakou
Dharmadhatu
Ticket
Marina Kappou
Ticket
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Tonia Aino
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Changing room
Nektarios Pachiadakis
Changing room
Demetris: A Visual Artist
Eleftheria Kiratzidou
Demetris: A Visual Artist
Voices in our heads
Valassia Dodoulou
Voices in our heads
The dream 2- Intersections
Maria Paresia Pasipoularidou
The dream 2- Intersections
Private - Public
Views: 149

This changing frame represents an allegorical image of human nature, which when it is in dialectic with the outside world - during the transition from private to public life, experiences conflicting feelings of apprehension, anticipation, reticence, curiosity and extroversion.

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Negative Buoyancy, the story of a freediver
Views: 914

A freediver transforms into water while he dives beneath the surface, connects with nature and becomes a part of the underwater environment by hunting like a marine predator.
The mesmerizing underwater world is accessible to those who overcome fear and dare to push their human limits a little further in order to explore it. The passion with the serene world beneath the surface becomes a lifestyle for those who surrender themselves to negative buoyancy.

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Dharmadhatu
Views: 845

"Dharmadhatu" is an experimental audiovisual video with linear narrative. It has been created with an original experimental technique, where each frame results from a live recording of the behavior of flowing colors on a painted surface.

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Ticket
Views: 156

documentary - Narrated by Christina Koblitsi

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EX-SITU [existing situations]. Destruction as an social-artistic practice.
Views: 851

EX-SITU[existing situations] is an interactive installation that incorporates a computer, sound, and lighting technologies in which users/ viewers take part in the destruction of the painting by stepping on it. At the same time, a motion tracking system marks visitors and a light spot tracks them.​
The content of EX SITU calls for awareness of social indifference, self-promotion, and their impact on society. The structure of EX SITU is intentionally ambiguous, revealing the obsession/fascination for the protection of material in contrast with the empathy for other people.
The interactive installation underlines the responsibility of individuals in society. The theoretical part analyses the Destruction in Art Symposium in 1966 and The bystander effect, or bystander apathy, in which individuals are less likely to offer help to a victim when other people are present.

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Changing room
Views: 104

A place of relative isolation and no influence from the outside environment. Black cloth with a small opening that the viewer enters wearing headphones and playing a soundscape I created on a magnifying glass. 

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Demetris: A Visual Artist
Views: 890

The cinematic portrait of a visual artist, Demetris Papazachos, a senior student of the Fine Arts School in Thessaloniki, is about featuring an artist without just showing his artwork but emphasizing at his personality and his artistic thinking instead. Through his internal journey, gay culture elements are projected while an interesting question is raised: Who is "A Visual Artist" at last?

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Voices in our heads
Views: 252

Α video art piece with performance and art installation elements in public space.

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The dream 2- Intersections
Views: 167

While we dream, much of the information that the brain involuntarily collects during the day, is intersected and integrated with previous experience and can be used in future behaviors.

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AVARTS IONIAN UNIVERSITY

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