Eterotopia

work-image
Views: 1562

Eterotopia. Place within a Place that violates real time. Restricted access and challenge area, between the real and the unreal. Comparable and competitive space that reflects the Iocation.



Inside the body
Eleni Mitrouska
Inside the body
Bouquets: Artifact Conglomerations
Bouquets: Artifact Conglomerations
Windows
Konstantina Kaika
Windows
SpacelSelf
Ioanna Mazi
SpacelSelf
Athens, my love
Dimitris Kechris
Athens, my love
"ano” + "throsko”
"ano” + "throsko”
7500+1 sculptures
7500+1 sculptures
The Room
The Room
Ruta
Marilu Theologiti
Ruta
SocialGR
Vasilis Alexandrou
SocialGR
Inside the body
Views: 1242

Every expression of the subject is inherent in the body image, indicating the lack of being, which desire tries to cover.

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Bouquets: Artifact Conglomerations
Views: 1485

The project composes a series of random artifacts relating to art and design history, used either ας decorative or utilitarian artifacts, turning them into a non-definitive object [bouquet] floating in space.

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Windows
Views: 1252

The atmosphere of the space and the emotional charge are the dominant points in the work. The windows ας protagonists have a dual meaning. Internet windows - tabs ας a means of socialization and communication, a substitute for a life.

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SpacelSelf
Views: 1285

Α work based on the rules of kinetic poetry and explores the relationship between Space and Self. The Space defined by our Self [Ego] is malleable, it changes and interacts with the Space of Others. Physical and non-physical, the Space covered by the Ego is hetero-determined and constantly changing in eternity.

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Athens, my love
Views: 1285

An essay-film which looks for mnemic traces of major political events inscribed in the body of the metropolitan entity of Athens.

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"ano” + "throsko”
Views: 1527

It is a work of digital design in real time that in its evolution displays the Word human, relationship coupling, thoughts and feelings..

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7500+1 sculptures
Views: 1317

The Video installation in the exhibition emphasizes and at the same time negates the temporality of a medium whose dominant form of expression is space.

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The Room
Views: 1948

Where do memories go when they are lost? Are they still where we left them, if we don’t recall them? In this room, as private and irrevocable as our memory, objects animate a series of scenarios. A memory floods the room, another struggles to disclose itself, another one leaks back and forth in time. The idea of the ‘other’ hovers between what has already passed and what is reminisced every time. We never recollect events and spaces as such. We always enliven recollections in our own way. Through constant evocations that seek to perpetuate the existence of the ‘room’, memories converse with space and time, as well as with a part of ourselves. Either as past, forgetfulness or loss, they always contain something that is already gone.

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Ruta
Views: 2529

The compositional method is based on the incorporation of sound material of cultural background into an electroacoustic piece. By drawing a linear narration, my aim was to demonstrate a unity, an imaginary community, which characterizes the Romani culture, despite the hybridic, complicated and diverse traditions deriving from the various European and Asian countries its people live in. A central question behind the making of this piece is what kind of role can a civilization have today, when the concept of space is eliminated by time- a key element in the dynamics of capitalism. What are the cultural consequences of the so-called annihilation of time and space, as materialized and tangible dimensions of social life? Are historical tradition and the search for roots promoted and reorganized as simulacra, imitations or/and museum culture, thourgh the demonstration of a partly deceptive past?

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SocialGR
Views: 1916

This artwork consists of multiple videos of scrolls down found in well-known social media, which were taken by smart phone and are displayed in a horizontal layout and continuous flow. On a second reading and as the viewer moves away from the individual information, he or she realizes that the Greek flag is formed in the video. The artwork seeks to ask questions about the ever-increasing use and abuse of social media in Greek everyday life. Being sometimes means of communication and information and sometimes tools of manipulation, social media make people concern and strongly influence society in its entirety, while the posts of their multiple users are now an integral part of our modern (digital) public space.

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AVARTS IONIAN UNIVERSITY

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