Natural Perversion

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Views: 1667

In the realm of acoustic hyper-reality we meet aural simulacra of the order of maleficence. These are signals that mask and denature a profound acoustic reality. They are referential and representational, but in a way that they dissimulate reality and become its twisted Doppelgängers. Simulacra of the order of maleficence are perversions of reality. With the sound artwork ‘Natural Perversion’ Through a set of sonic processes the artist delves into autogenerative, autopoietic, responsive and biomimetic modes of creation exploring how the original naturally produced audio signal can be transformed into a sonic caricature and depending on the way it balances between its signifier and its signified aspect, it may re-interpret naturally produced concrete audible events into a musical language which serves both the acousmatic and the non-cochlear approaches to contemporary sound art.



BLAH
Laura Konti
BLAH
Drifting
Aristomenis Chatzipapas
Drifting
Finem
Fani Arapi
Finem
Audio Crossings
Konstantinos Tsioutas
Audio Crossings
Private - Public
Dimitra Politi
Private - Public
SpacelSelf
Ioanna Mazi
SpacelSelf
Sound Art
Sound Art
The dream 2- Intersections
Maria Paresia Pasipoularidou
The dream 2- Intersections
Eterotopia
Ioanna Tzampa
Eterotopia
SocialGR
Vasilis Alexandrou
SocialGR
BLAH
Views: 2333

Blah as an artwork that interacts with the phenomenon of the speaking subject. The artwork responds to the human voice with air, and the intensity of the air is proportional to the volume of the voice.

Borrowing immersive practices from physical theater and the Black Box framework, the project seeks to create a liberating condition where visitors have the opportunity to experiment with their voice outside the system of organized language.

Blah is the artistic part of my master thesis on the problematic behind the three dimensions of organized language: communication-expression-meaning.

1x1x0.4

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Drifting
Views: 1370

Social sensitization animation project on road safety. It emphasizes the use of a safety helmet when driving a motorcycle.

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Finem
Views: 1486

The performance Finem deals with app[ause ας a transformative act. The aim of the action is to deconstruct applause ας a social expression of admiration and recognition.

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Audio Crossings
Views: 1496

Multiple distance sensors trigger sound events ας people move around and get close to the grid with the srceens.

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Private - Public
Views: 1496

This changing frame represents an allegorical image of human nature, which when it is in dialectic with the outside world - during the transition from private to public life, experiences conflicting feelings of apprehension, anticipation, reticence, curiosity and extroversion.

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SpacelSelf
Views: 1255

Α work based on the rules of kinetic poetry and explores the relationship between Space and Self. The Space defined by our Self [Ego] is malleable, it changes and interacts with the Space of Others. Physical and non-physical, the Space covered by the Ego is hetero-determined and constantly changing in eternity.

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The dream 2- Intersections
Views: 1547

While we dream, much of the information that the brain involuntarily collects during the day, is intersected and integrated with previous experience and can be used in future behaviors.

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Eterotopia
Views: 1527

Eterotopia. Place within a Place that violates real time.

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SocialGR
Views: 1882

This artwork consists of multiple videos of scrolls down found in well-known social media, which were taken by smart phone and are displayed in a horizontal layout and continuous flow. On a second reading and as the viewer moves away from the individual information, he or she realizes that the Greek flag is formed in the video. The artwork seeks to ask questions about the ever-increasing use and abuse of social media in Greek everyday life. Being sometimes means of communication and information and sometimes tools of manipulation, social media make people concern and strongly influence society in its entirety, while the posts of their multiple users are now an integral part of our modern (digital) public space.

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AVARTS IONIAN UNIVERSITY

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