The female body carries a history of wounds throughout the centuries. Murders and rapes of women around the world, clitoridectomy in African countries, women covered with Chadors in Iran, Saudi Arabia and Afghanistan, women covered with Burkas in the Persian Gulf, death by stoning in India, family homicides in Pakistan, baby girls thrown in the trash upon birth in China, excision still happens today in some countries in Africa.

The female body that brings life into the world has the right to expression, sexuality, to wearing whatever it wants, to creating, falling in love, to growing old, leaving, to be free. This performance concerns the female body but also the redefinition of the position of the women today. The sound is a key part of the performance it is an original composition by Nikos Kanellakis especially for the specific action. The performance will be videotaped and the material will be displayed on a screen at the same time.

Phoenix is the rebirth of the refugees. It is what was left of the big fire in the Moria's camp.

An experimental workshop was realized at the Corfu Archaeological Museum, on May 2019. The workshop was designed within the frames of interdisciplinary learning and participatory art, based on Maker culture and STEAM education, willing to highlight the importance of arts and technology in learning. The participants, children and adolescents 11 to 15 years old, were initially guided to an important archaic find at the Archaeological museum of Corfu, a pediment depicting ancient Greek goddess Artemis-Gorgo, and got acquainted with the myth surrounding it. In two groups the participants made
1. electronic circuits which produced sounds via photo resistor and conductive paint and
2. conductive drawings inspired by the archaic pediment imagery.
The two groups combined their work to create interactive installations were circuits and sensors were used to “read” the tonal variations and line elements of the pencil drawings. Documentation indicates the childrens’ immersion into the experience.

The Video installation in the exhibition emphasizes and at the same time negates the temporality of a medium whose dominant form of expression is space.

The project focuses on close-ups of flowers ας elements of the beauty of nature and the spiritual uplift created by the connection with it.

The audiovisual work "Paralysis by Analysis" presents a combined experience that unfolds in two chapters of two and three dimensions respectively.

Multiple distance sensors trigger sound events ας people move around and get close to the grid with the srceens.

The project composes a series of random artifacts relating to art and design history, used either ας decorative or utilitarian artifacts, turning them into a non-definitive object [bouquet] floating in space.