Intersecting Worlds

work-image
Views: 1078

Creation of a group installation entitled Intersecting Worlds. The installation raises questions about the diversity and dynamics of the digital world, the limits and possibilities of technology and how it interacts and transforms contemporary life, creating new stimuli and a new way of looking at everyday life.


Participation in the annual exhibition Platforms Projects - Independent Art Fair 2023, October 26-29 2023, Athens.



In between moments
Sofia Androutsopoulou
In between moments
DeepRedShip
Christina Sfakianaki
DeepRedShip
Phoenix
Christina Kalantzi
Phoenix
Inside the body
Eleni Mitrouska
Inside the body
Natural Perversion
Luc Messinezis
Natural Perversion
SocialGR
Vasilis Alexandrou
SocialGR
Eterotopia
Ioanna Tzampa
Eterotopia
Dharmadhatu
Martha Gogakou
Dharmadhatu
"200 years since the Revolution of 1821 and the role of Corfu"
Nikolaos Korakianitis
"200 years since the Revolution of 1821 and the role of Corfu"
Safe Travel
Safe Travel
In between moments
Views: 825

Moments that meet and compose new ones through clips of a few seconds. Their common point is the associative thinking during their creation and the sense of the surrealistic-dreamlike mood.

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DeepRedShip
Views: 900

Paraphrase, reference of the title to the depression caused by the shocking images of drowned children in the Mediterranean, the watery grave of persecuted refuges.

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Phoenix
Views: 1909

Phoenix is the rebirth of the refugees. It is what was left of the big fire in the Moria's camp.

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Inside the body
Views: 862

Every expression of the subject is inherent in the body image, indicating the lack of being, which desire tries to cover.

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Natural Perversion
Views: 1172

In the realm of acoustic hyper-reality we meet aural simulacra of the order of maleficence. These are signals that mask and denature a profound acoustic reality. They are referential and representational, but in a way that they dissimulate reality and become its twisted Doppelgängers. Simulacra of the order of maleficence are perversions of reality. With the sound artwork ‘Natural Perversion’ Through a set of sonic processes the artist delves into autogenerative, autopoietic, responsive and biomimetic modes of creation exploring how the original naturally produced audio signal can be transformed into a sonic caricature and depending on the way it balances between its signifier and its signified aspect, it may re-interpret naturally produced concrete audible events into a musical language which serves both the acousmatic and the non-cochlear approaches to contemporary sound art.

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SocialGR
Views: 1314

This artwork consists of multiple videos of scrolls down found in well-known social media, which were taken by smart phone and are displayed in a horizontal layout and continuous flow. On a second reading and as the viewer moves away from the individual information, he or she realizes that the Greek flag is formed in the video. The artwork seeks to ask questions about the ever-increasing use and abuse of social media in Greek everyday life. Being sometimes means of communication and information and sometimes tools of manipulation, social media make people concern and strongly influence society in its entirety, while the posts of their multiple users are now an integral part of our modern (digital) public space.

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Eterotopia
Views: 933

Eterotopia. Place within a Place that violates real time.

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Dharmadhatu
Views: 1750

"Dharmadhatu" is an experimental audiovisual video with linear narrative. It has been created with an original experimental technique, where each frame results from a live recording of the behavior of flowing colors on a painted surface.

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"200 years since the Revolution of 1821 and the role of Corfu"
Views: 1732

The present postgraduate thesis was prepared in the context of the completion of the postgraduate program of the Department of Sound and Visual Arts of the Ionian University.
The study of the subject will be the facts and data on the occasion of the completion of 200 years since the Greek Revolution.
The present work aims to enrich the theoretical framework of study. Its structure is based on data that I have collected (rare photographic material, letters, etc.), from the Public Archives of the State, the Kapodistrias Museum and the Reading Company.

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AVARTS IONIAN UNIVERSITY

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