Τοο close too far

Views: 1098

Two beings the one next to the other, two neighbors that their doors 100k at each other, two singles that could be together, two random individuals that their paths cross. Or not.



Life as a Blooming Flower
Vivi Perysinaki
Life as a Blooming Flower
Phoenix
Christina Kalantzi
Phoenix
The failure of rationalization
Agatha Mingou
The failure of rationalization
The portrait of my mother
Xanthos Tsafalopoulos
The portrait of my mother
Bouquets: Artifact Conglomerations
Bouquets: Artifact Conglomerations
Confusion
Fani Kesidou
Confusion
The Room
The Room
The Last One Never Laughs
Stratis Alvanos
The Last One Never Laughs
Changing room
Nektarios Pachiadakis
Changing room
Aynadamar
Margarita Chalakatevaki
Aynadamar
Life as a Blooming Flower
Views: 1336

The project focuses on close-ups of flowers ας elements of the beauty of nature and the spiritual uplift created by the connection with it.

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Phoenix
Views: 2307

Phoenix is the rebirth of the refugees. It is what was left of the big fire in the Moria's camp.

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The failure of rationalization
Views: 1255

This art piece is trying to express the struggle between letting go ας one would use nature for meditative reasons and the over controlling mind fixating on patterns deriving from sea foam lines.

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The portrait of my mother
Views: 1576

A day in my mother's life. The documentary shows her daily routine, something that I personally find very interesting as I believe that the true self of a person lies in the "insignificant".

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Bouquets: Artifact Conglomerations
Views: 1306

The project composes a series of random artifacts relating to art and design history, used either ας decorative or utilitarian artifacts, turning them into a non-definitive object [bouquet] floating in space.

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Confusion
Views: 948

An interactive symbolic work consisting of a wire brain construction is presented. 

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The Room
Views: 1693

Where do memories go when they are lost? Are they still where we left them, if we don’t recall them? In this room, as private and irrevocable as our memory, objects animate a series of scenarios. A memory floods the room, another struggles to disclose itself, another one leaks back and forth in time. The idea of the ‘other’ hovers between what has already passed and what is reminisced every time. We never recollect events and spaces as such. We always enliven recollections in our own way. Through constant evocations that seek to perpetuate the existence of the ‘room’, memories converse with space and time, as well as with a part of ourselves. Either as past, forgetfulness or loss, they always contain something that is already gone.

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The Last One Never Laughs
Views: 1373

A journalist, who has lost his identity, visits an uncanny land, in which the smile is banned by law. He feels lost in its dystopia, consisted of self-destructive people, who deplore the smile. He gains many personal experiences that make him unaware of his aim and his human state as well. Will he eventually be able to find a way out?

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Changing room
Views: 687

A place of relative isolation and no influence from the outside environment. Black cloth with a small opening that the viewer enters wearing headphones and playing a soundscape I created on a magnifying glass. 

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Aynadamar
Views: 2174

Aynadamar: An important place as far back as when the Arabs were in the area. The whole region of Andalusia was supplied with water through that spring, reaching as far as Madrid. Several years later, the poet and playwright Federico Garcia Lorca is taken there to be executed. His work in turn supplied the whole Spain and spread to the rest of the world. The documentary intertwines significant events of his life with dramatised excerpts from his work, aiming at achieving Duende (as Lorca used to say), the quintessence of all things.

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