The dream 2- Intersections

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Views: 1161

While we dream, much of the information that the brain involuntarily collects during the day, is intersected and integrated with previous experience and can be used in future behaviors. Thus, the violence that modern man knows and assimilates through screens also haunts him in his dreams.



Lying upon a Rock
Spyros Kavvadias
Lying upon a Rock
Movement Type B6
Alice Lagkadianou
Movement Type B6
Méliès Trilogy
Aris Melachroinos
Méliès Trilogy
The portrait of my mother
Xanthos Tsafalopoulos
The portrait of my mother
Voices in our heads
Valassia Dodoulou
Voices in our heads
At some point it will overflow
Joanna Poupaki
At some point it will overflow
Athens, my love
Dimitris Kechris
Athens, my love
SpacelSelf
Ioanna Mazi
SpacelSelf
The Room
The Room
BRAIN_RINTH
BRAIN_RINTH
Lying upon a Rock
Views: 1786

A documentary about Lazaretto, the desert islet near the city of Corfu that functioned for centuries as a quarantine station as well as a place of execution for political prisoners during the Greek Civil War. The identity of the place is approached through fragmentary testimonies and original sources.

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Movement Type B6
Views: 1340

A short film inspired by the work of the great actor and director of the silent era, Buster Keaton. Elements from his cinematic world are being revived and placed in contemporary times.

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Méliès Trilogy
Views: 7

The main subject of this thesis is to analyze the special effects that George Melies used and invented, as well as the creation of a short film with special and visual effects, inspired by Melies’ work. This film has been implemented using modern techniques, aiming for an outcome that seems realistic but cannot actually happen in real life. All the techniques that have been used to create the film will be analyzed in depth.

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The portrait of my mother
Views: 1473

A day in my mother's life. The documentary shows her daily routine, something that I personally find very interesting as I believe that the true self of a person lies in the "insignificant".

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Voices in our heads
Views: 1147

Α video art piece with performance and art installation elements in public space.

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At some point it will overflow
Views: 1121

Α thought upon all the things we don't listen to, until we can't but listen. Αη animation featuring a creature balancing over the words that are haunting her.

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Athens, my love
Views: 915

An essay-film which looks for mnemic traces of major political events inscribed in the body of the metropolitan entity of Athens.

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SpacelSelf
Views: 976

Α work based on the rules of kinetic poetry and explores the relationship between Space and Self. The Space defined by our Self [Ego] is malleable, it changes and interacts with the Space of Others. Physical and non-physical, the Space covered by the Ego is hetero-determined and constantly changing in eternity.

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The Room
Views: 1592

Where do memories go when they are lost? Are they still where we left them, if we don’t recall them? In this room, as private and irrevocable as our memory, objects animate a series of scenarios. A memory floods the room, another struggles to disclose itself, another one leaks back and forth in time. The idea of the ‘other’ hovers between what has already passed and what is reminisced every time. We never recollect events and spaces as such. We always enliven recollections in our own way. Through constant evocations that seek to perpetuate the existence of the ‘room’, memories converse with space and time, as well as with a part of ourselves. Either as past, forgetfulness or loss, they always contain something that is already gone.

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BRAIN_RINTH
Views: 1539

BRAINRINTH is a multi-channel video installation. The work attempts – through technology – to approach brain-related functions of memory, drawing on material from personal experience of the body in crisis. The title BRAINRINTH –from the words Brain and Labyrinth – is a play on the intractable riddle of an archetypal Greek structure (the labyrinth) and the labyrinthine processes of the human brain. The BRAINRINTH installation seeks a poetic mapping of the human brain.
Due to the shock of trauma, our understanding of the functioning of the body, and of nature itself –which we are trying to dominate – seems desperate and full of anxiety. Taking this into account, if we adopt a position in which we keep a distance of aesthetic neutrality, perhaps this reality begins to look less frightening.

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