Athens, my love

work-image
Views: 1016

An essay-film which looks for mnemic traces of major political events inscribed in the body of the metropolitan entity of Athens. It focuses on case-studies of a counter-hegemonic history, from the mid-20th century till the early 21st century, in which the logos and praxis of individual or collective subjects have been suppressed till death. These are cases that an official history has either neglected or cleansed of their association with insurrectionist potential. The film develops around interviews with architects and historians, makes use of archive material and also employs fictional elements – all of which are contextualised by a voice-over dialogue. “Athens, my love” looks for space between formal monumentalisation mechanisms (which claim objectivity) on the one hand and personal fragments of memory (which often lie in the domain of subjective contemplation) on the other.

Written & Directed by: Dimitris Kechris
Cinematography: Dimitris Kechris
Camera operators: Dimitris Kechris, Nikos Dalezios, Vangelis Tatsis
Voice-over: Dimitris Kechris, Kalliopi Tzermani
Editing: Dimitris Kechris
Colour Grading: Nikos Dalezios
Original Music: Nikos Tsolis
Sound Design: Nikos Dalezios, Nikos Tsolis
Cast: Stavros Stavrides, Angela Dimitrakaki, Menelaos Charalampidis, Dimitris Kechris
Producer: Dimitris Kechris
Supported by: Athens School of Fine Arts



Audio Crossings
Konstantinos Tsioutas
Audio Crossings
The portrait of my mother
Xanthos Tsafalopoulos
The portrait of my mother
The chained elephant
Alkistis Papa
The chained elephant
The Last One Never Laughs
Stratis Alvanos
The Last One Never Laughs
Quarantine Self Portait
Quarantine Self Portait
ΟBLIVION: A Rotoscoping Videoclip
Sosanna Natalia Tsaousi
ΟBLIVION: A Rotoscoping Videoclip
Allimonò
Allimonò
Angst
Katerina Zachariadi
Angst
Sound Art
Sound Art
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Tonia Aino
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Audio Crossings
Views: 1221

Multiple distance sensors trigger sound events ας people move around and get close to the grid with the srceens.

Read more
The portrait of my mother
Views: 1570

A day in my mother's life. The documentary shows her daily routine, something that I personally find very interesting as I believe that the true self of a person lies in the "insignificant".

Read more
The chained elephant
Views: 2299

The project is the animation of the fairy tale "The chained elephant". "The Chained Elephant" is one of the stories of psychiatrist Jorge Bukay from his book "Let me tell you a story" which he tells to his client. It refers to a child' s question who notices that a huge circus elephant remains tied to a small stick without trying to free itself and without protesting. The circus elephant remained tied to his tiny stick because "the memory of the weakness he felt shortly after his birth is etched in his memory."

Read more
The Last One Never Laughs
Views: 1370

A journalist, who has lost his identity, visits an uncanny land, in which the smile is banned by law. He feels lost in its dystopia, consisted of self-destructive people, who deplore the smile. He gains many personal experiences that make him unaware of his aim and his human state as well. Will he eventually be able to find a way out?

Read more
Quarantine Self Portait
Views: 1260

The quarantine's experience time has functioned as a humanized time. Its previous social barbarity was imprisoned in the familiar cage of my soul and became my creation time. Each day was my friend, an eternal circular and dynamic present, a consciousness without conflicts. It was like an eternity that is experienced differently every moment. An unprecedented form of stillness gripped me and perpetuated in many abstract fragments which finally formed the new texture of my existence, in this peculiar isolation. I became from the carcass of time I was before, its qualitative disintegration… Reality was distorted and experienced illusively. The time from the alienation that was before, was transformed and became the cover for the scratched truth of myself. This kind of time my conscience had dreamed to live.

Read more
ΟBLIVION: A Rotoscoping Videoclip
Views: 1998

This thesis is about the production, direction and animation οf a contemporary dance music video lasting four (4) minutes. Its title is "OBLIVION: Music video using the Rotoscoping technique". Its subject is the loss of a great summer love and the pain that comes when this love is over. Its goal for all of its elements be to harmoniously joined together i. e. the dance, the surroundings, the colors, the music and the animation so as to make the viewer feel nostalgic and melancholic.

Read more
Allimonò
Views: 1473

The fulfillment of a last wish leads Filippo to a retrospection from the mountains of Epirus to the recent past of the year 1945. His meeting with his history revives the memory of a whole village, unfolding the relations and the bonding of two peoples against the commands of an era, which is not as far as we think.

Read more
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Views: 1888

EX-SITU[existing situations] is an interactive installation that incorporates a computer, sound, and lighting technologies in which users/ viewers take part in the destruction of the painting by stepping on it. At the same time, a motion tracking system marks visitors and a light spot tracks them.​
The content of EX SITU calls for awareness of social indifference, self-promotion, and their impact on society. The structure of EX SITU is intentionally ambiguous, revealing the obsession/fascination for the protection of material in contrast with the empathy for other people.
The interactive installation underlines the responsibility of individuals in society. The theoretical part analyses the Destruction in Art Symposium in 1966 and The bystander effect, or bystander apathy, in which individuals are less likely to offer help to a victim when other people are present.

Read more
Terms of use:

These works may be saved and copied for your personal and scholarly purposes. These works are protected by intellectual rights license Creative Commons:
Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)

Free public access to these works is allowed. Any interested party can freely copy and redistribute the material in any medium or format, provided appropriate credit is given to the original work and its creator. These works cannot be remixed, transformed, build upon, or used for commercial purposes.

AVARTS IONIAN UNIVERSITY

Fatal error: Uncaught Error: Call to undefined function create_session() in /opt/websites/main/depts/avarts/portfolio/scripts/functions.php:642 Stack trace: #0 /opt/websites/main/depts/avarts/portfolio/index.php(237): portfolio_update_session() #1 {main} thrown in /opt/websites/main/depts/avarts/portfolio/scripts/functions.php on line 642