The Last One Never Laughs

work-image
Views: 1103

A journalist, who has lost his identity, visits an uncanny land, in which the smile is banned by law. He feels lost in its dystopia, consisted of self-destructive people, who deplore the smile. He gains many personal experiences that make him unaware of his aim and his human state as well. Will he eventually be able to find a way out?

Stratis Alvanos, Theodosis Giannoulis, Emmanouil Kouphakes, Ioanna-Anastasia Fakinou, Dimitris Liapis, Mary Apostolidou, Christos Giannoulis, Diana Cherkasova



Confusion
Fani Kesidou
Confusion
"200 years since the Revolution of 1821 and the role of Corfu"
Nikolaos Korakianitis
"200 years since the Revolution of 1821 and the role of Corfu"
A different portrait
Filitsa Gougoudi
A different portrait
Me, herself & ai
Marinos Pavlidis
Me, herself & ai
SpacelSelf
Ioanna Mazi
SpacelSelf
Natural Perversion
Luc Messinezis
Natural Perversion
Isidora
Alice Lagkadianou
Isidora
Excitatio Corcyrae : Player’s Guide
Despoina-Sofia Kyrgiafini
Excitatio Corcyrae : Player’s Guide
Private - Public
Dimitra Politi
Private - Public
Yorgos Psailas - A portrait of the British Cemetery caretaker
Spyros Christoforatos
Yorgos Psailas - A portrait of the British Cemetery caretaker
Confusion
Views: 302

An interactive symbolic work consisting of a wire brain construction is presented. 

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"200 years since the Revolution of 1821 and the role of Corfu"
Views: 1136

The present postgraduate thesis was prepared in the context of the completion of the postgraduate program of the Department of Sound and Visual Arts of the Ionian University.
The study of the subject will be the facts and data on the occasion of the completion of 200 years since the Greek Revolution.
The present work aims to enrich the theoretical framework of study. Its structure is based on data that I have collected (rare photographic material, letters, etc.), from the Public Archives of the State, the Kapodistrias Museum and the Reading Company.

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A different portrait
Views: 930

Artist Paris Chatzigiannis, in his studio, talks about his life with painting.

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Me, herself & ai
Views: 584

Mirror project that interacts with "Me myself & ai" by Sofi Moutafi. The creation of this work results from the collaboration of man and machine, which places it at the intersection of these two great sets.

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SpacelSelf
Views: 352

Α work based on the rules of kinetic poetry and explores the relationship between Space and Self. The Space defined by our Self [Ego] is malleable, it changes and interacts with the Space of Others. Physical and non-physical, the Space covered by the Ego is hetero-determined and constantly changing in eternity.

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Natural Perversion
Views: 918

In the realm of acoustic hyper-reality we meet aural simulacra of the order of maleficence. These are signals that mask and denature a profound acoustic reality. They are referential and representational, but in a way that they dissimulate reality and become its twisted Doppelgängers. Simulacra of the order of maleficence are perversions of reality. With the sound artwork ‘Natural Perversion’ Through a set of sonic processes the artist delves into autogenerative, autopoietic, responsive and biomimetic modes of creation exploring how the original naturally produced audio signal can be transformed into a sonic caricature and depending on the way it balances between its signifier and its signified aspect, it may re-interpret naturally produced concrete audible events into a musical language which serves both the acousmatic and the non-cochlear approaches to contemporary sound art.

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Isidora
Views: 1174

A short documentary-portrait, introducing the acclaimed oboist, Isidora Kopsida.

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Private - Public
Views: 444

This changing frame represents an allegorical image of human nature, which when it is in dialectic with the outside world - during the transition from private to public life, experiences conflicting feelings of apprehension, anticipation, reticence, curiosity and extroversion.

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Yorgos Psailas - A portrait of the British Cemetery caretaker
Views: 1148

A short documentary, based on the theory of Observational Cinema. It is the portrait of the caretaker of the British Cemetery in the island of Corfu, Greece, Mr. Yorgos Psailas. The documentary deals with his daily life in the cemetery. Mr. Psailas also recounts the most important moments of his life as well as his thoughts about life and death.

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