Metamorphosis

work-image
Views: 1603

The subject of Charis Myrsilidi’s thesis concerns the transfer of literary text to image. The excerpts of the selected texts are stories from the Grimm brothers' fairy tales and the connecting link is the pattern of transformation (metamorphosis). The presentation of the practical part of the thesis concerns an installation with clay sculptures, sound track and lighting. The sculptural space is formed by Charis Myrsilidi, a student of the Department of Audio Visual Arts and the sound by the composer Ioannis Konsolakis.

Charis Myrsilidi (installation-sculptural place) Ioannis Konsolakis (sound composition)



Bouquets: Artifact Conglomerations
Bouquets: Artifact Conglomerations
Phoenix
Christina Kalantzi
Phoenix
At some point it will overflow
Joanna Poupaki
At some point it will overflow
Panopticon
Lampros Marios Pavlakis
Panopticon
State Of Affairs
Nichoalos Κarnampatides
State Of Affairs
Where do I exist?
Sousana Romanidou
Where do I exist?
ATHENDS
Giorgos Polymeropoulos
ATHENDS
Konstantinos Kamitsis Live AV Performance
Konstantinos Kamitsis
Konstantinos Kamitsis Live AV Performance
Filter Bubbles
Filter Bubbles
Ruta
Marilu Theologiti
Ruta
Bouquets: Artifact Conglomerations
Views: 1091

The project composes a series of random artifacts relating to art and design history, used either ας decorative or utilitarian artifacts, turning them into a non-definitive object [bouquet] floating in space.

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Phoenix
Views: 1893

Phoenix is the rebirth of the refugees. It is what was left of the big fire in the Moria's camp.

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At some point it will overflow
Views: 888

Α thought upon all the things we don't listen to, until we can't but listen. Αη animation featuring a creature balancing over the words that are haunting her.

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Panopticon
Views: 672

It is an Interactive Installation that deals with the issues of immigration, wars and surveillance of citizens on a global scale.

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State Of Affairs
Views: 1798

When the observer is standing in front of a work of art and is trying to comprehend it, they are consciously entering a recognition process. This is achieved because the brain recognizes the relationship between some shapes or colors in the piece of art and, automatically, recalls them from memory. This procedure creates the necessary conditions for the creation of new neural synapses. Using these facts?, the artist suggests an audiovisual performance that includes an interference of audio to the visual aspect? in real time.

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Where do I exist?
Views: 1928

The title of this artwork is "Where Do I Exist?". This is a virtual space that explores the relationship between reality and virtual reality. Moreover, it the result of a pandemic society that tends to communicate through social media. It is the impression of our lifes into a virtual world, free from our body and the stereotypes it might follows it. Could we be free from our body and ideas such as gender identity and death? What is the meaning of touch into an immaterial world? Anyone can be part of this artwork with a twitter hashtag of the word #immaterial.

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ATHENDS
Views: 651

The ATHENDS project is an interactive installation whose purpose is to comment on the Greek media and how it fulfills its purpose based on the violent and unfiltered transmission of information.

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Filter Bubbles
Views: 887

The AVARTS team's project "Filter Bubbles" aims to raise critical reflection on the extent of the responsibility attributed to algorithms and technology for the formation of these "isolation bubbles". Furthermore, through the artistic process, it aims to weaken the positive feedback loops that gigantize imperfect information, foster fear and undermine creativity.

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Ruta
Views: 1863

The compositional method is based on the incorporation of sound material of cultural background into an electroacoustic piece. By drawing a linear narration, my aim was to demonstrate a unity, an imaginary community, which characterizes the Romani culture, despite the hybridic, complicated and diverse traditions deriving from the various European and Asian countries its people live in. A central question behind the making of this piece is what kind of role can a civilization have today, when the concept of space is eliminated by time- a key element in the dynamics of capitalism. What are the cultural consequences of the so-called annihilation of time and space, as materialized and tangible dimensions of social life? Are historical tradition and the search for roots promoted and reorganized as simulacra, imitations or/and museum culture, thourgh the demonstration of a partly deceptive past?

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