Private - Public

work-image
Views: 1275

This changing frame represents an allegorical image of human nature, which when it is in dialectic with the outside world - during the transition from private to public life, experiences conflicting feelings of apprehension, anticipation, reticence, curiosity and extroversion. That's why clear boundaries during this transition are difficult to set while satisfying all our internal needs.



EX-SITU [existing situations]. Destruction as an social-artistic practice.
Tonia Aino
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Inside the body
Eleni Mitrouska
Inside the body
Wroom
Konstantia Makri
Wroom
Sproulifindros
Josef Kloos
Sproulifindros
At some point it will overflow
Joanna Poupaki
At some point it will overflow
Dissolving
Evangelos Aslanidis
Dissolving
Panopticon
Lampros Marios Pavlakis
Panopticon
Phoenix
Christina Kalantzi
Phoenix
Angst
Katerina Zachariadi
Angst
Windows
Konstantina Kaika
Windows
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Views: 1908

EX-SITU[existing situations] is an interactive installation that incorporates a computer, sound, and lighting technologies in which users/ viewers take part in the destruction of the painting by stepping on it. At the same time, a motion tracking system marks visitors and a light spot tracks them.​
The content of EX SITU calls for awareness of social indifference, self-promotion, and their impact on society. The structure of EX SITU is intentionally ambiguous, revealing the obsession/fascination for the protection of material in contrast with the empathy for other people.
The interactive installation underlines the responsibility of individuals in society. The theoretical part analyses the Destruction in Art Symposium in 1966 and The bystander effect, or bystander apathy, in which individuals are less likely to offer help to a victim when other people are present.

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Inside the body
Views: 1086

Every expression of the subject is inherent in the body image, indicating the lack of being, which desire tries to cover.

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Wroom
Views: 1025

The Wroom, is a movie that start with two red iron cars, a 1953 Chevrolet 1100 & a 1954 Magirus Deutz small fire engine, spilling out of a race of skills, flips and drifts at speed in the dining room of their home. In a brightly room, in a world where imagination knows no bounds.

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Sproulifindros
Views: 1813

Τhis piece refers to a suffocating relationship between a father and a son. This oppressive relationship is expressed by the father’s obsessive calls to the son to come and eat his food warm. The son lives in an imperative rhythm of breakfast/lunch/dinner with few getaways because his father never stops calling him, while having a piercing voice. The father lives in a rhythm of constant orthostatic food production. A very elastic son, a very rigid father. A piece of wood, also rigid, who attracts the son. She had been washed by the sea. The highest boiling temperature is at sea-level. Splashing and seething became one. Apnea and immersion in his father’s pot, which is the symbol of his influence, eventually are leading to his release. He tightened so tight on her that for the first time he was stabilised. They were swept away from the waves and while floating they turned into furniture.

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At some point it will overflow
Views: 1249

Α thought upon all the things we don't listen to, until we can't but listen. Αη animation featuring a creature balancing over the words that are haunting her.

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Dissolving
Views: 744

"Dissloving" is about an interactive audiovisual installation in progress, part of the thematic titled "Memory Void," assigned to us during the "Interactive Environments - Installations" Module. 

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Panopticon
Views: 1010

It is an Interactive Installation that deals with the issues of immigration, wars and surveillance of citizens on a global scale.

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Phoenix
Views: 2343

Phoenix is the rebirth of the refugees. It is what was left of the big fire in the Moria's camp.

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Windows
Views: 1107

The atmosphere of the space and the emotional charge are the dominant points in the work. The windows ας protagonists have a dual meaning. Internet windows - tabs ας a means of socialization and communication, a substitute for a life.

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