Private - Public

work-image
Views: 1464

This changing frame represents an allegorical image of human nature, which when it is in dialectic with the outside world - during the transition from private to public life, experiences conflicting feelings of apprehension, anticipation, reticence, curiosity and extroversion. That's why clear boundaries during this transition are difficult to set while satisfying all our internal needs.



Wroom
Konstantia Makri
Wroom
Eterotopia
Ioanna Tzampa
Eterotopia
Drifting
Aristomenis Chatzipapas
Drifting
Phoenix
Christina Kalantzi
Phoenix
SpacelSelf
Ioanna Mazi
SpacelSelf
At some point it will overflow
Joanna Poupaki
At some point it will overflow
A Quest For Eternity
A Quest For Eternity
Life as a Blooming Flower
Vivi Perysinaki
Life as a Blooming Flower
BLAH
Laura Konti
BLAH
BRAIN_RINTH
BRAIN_RINTH
Wroom
Views: 1190

The Wroom, is a movie that start with two red iron cars, a 1953 Chevrolet 1100 & a 1954 Magirus Deutz small fire engine, spilling out of a race of skills, flips and drifts at speed in the dining room of their home. In a brightly room, in a world where imagination knows no bounds.

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Eterotopia
Views: 1499

Eterotopia. Place within a Place that violates real time.

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Drifting
Views: 1348

Social sensitization animation project on road safety. It emphasizes the use of a safety helmet when driving a motorcycle.

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Phoenix
Views: 2574

Phoenix is the rebirth of the refugees. It is what was left of the big fire in the Moria's camp.

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SpacelSelf
Views: 1226

Α work based on the rules of kinetic poetry and explores the relationship between Space and Self. The Space defined by our Self [Ego] is malleable, it changes and interacts with the Space of Others. Physical and non-physical, the Space covered by the Ego is hetero-determined and constantly changing in eternity.

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At some point it will overflow
Views: 1443

Α thought upon all the things we don't listen to, until we can't but listen. Αη animation featuring a creature balancing over the words that are haunting her.

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A Quest For Eternity
Views: 1799

The research documentary A Quest for Eternity (2020) focuses in four different elements of Angelopoulos’s style and provides new information using and analysing the data from semi-structured interviews. This research documentary is part of Dr. Iakovos Panagopoulos practice based Phd research in the University of Central Lancashire with the title: “Reshaping Contemporary Greek Cinema Through a Re-evaluation of the Historical and Political Perspective of Theo Angelopoulos's Work”(Panagopoulos, 2019).

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Life as a Blooming Flower
Views: 1567

The project focuses on close-ups of flowers ας elements of the beauty of nature and the spiritual uplift created by the connection with it.

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BLAH
Views: 2304

Blah as an artwork that interacts with the phenomenon of the speaking subject. The artwork responds to the human voice with air, and the intensity of the air is proportional to the volume of the voice.

Borrowing immersive practices from physical theater and the Black Box framework, the project seeks to create a liberating condition where visitors have the opportunity to experiment with their voice outside the system of organized language.

Blah is the artistic part of my master thesis on the problematic behind the three dimensions of organized language: communication-expression-meaning.

1x1x0.4

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BRAIN_RINTH
Views: 1851

BRAINRINTH is a multi-channel video installation. The work attempts – through technology – to approach brain-related functions of memory, drawing on material from personal experience of the body in crisis. The title BRAINRINTH –from the words Brain and Labyrinth – is a play on the intractable riddle of an archetypal Greek structure (the labyrinth) and the labyrinthine processes of the human brain. The BRAINRINTH installation seeks a poetic mapping of the human brain.
Due to the shock of trauma, our understanding of the functioning of the body, and of nature itself –which we are trying to dominate – seems desperate and full of anxiety. Taking this into account, if we adopt a position in which we keep a distance of aesthetic neutrality, perhaps this reality begins to look less frightening.

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AVARTS IONIAN UNIVERSITY

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