Private - Public

work-image
Views: 1210

This changing frame represents an allegorical image of human nature, which when it is in dialectic with the outside world - during the transition from private to public life, experiences conflicting feelings of apprehension, anticipation, reticence, curiosity and extroversion. That's why clear boundaries during this transition are difficult to set while satisfying all our internal needs.



"ano” + "throsko”
"ano” + "throsko”
become
become
The portrait of my mother
Xanthos Tsafalopoulos
The portrait of my mother
SpacelSelf
Ioanna Mazi
SpacelSelf
Sproulifindros
Josef Kloos
Sproulifindros
Binary Stitches
Tinatini Popiashvili
Binary Stitches
Lying upon a Rock
Spyros Kavvadias
Lying upon a Rock
Paralysis by Analysis
Evangelos Aslanidis
Paralysis by Analysis
Bread And A Blanket
Dimitris Gkrintzos
Bread And A Blanket
The Last One Never Laughs
Stratis Alvanos
The Last One Never Laughs
"ano” + "throsko”
Views: 1204

It is a work of digital design in real time that in its evolution displays the Word human, relationship coupling, thoughts and feelings..

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become
Views: 1452

In this video art work 39 persons of different ages are invited to sit in front of the same black door, talk about their favourite object and in what, by using this object, they could be transformed. In the final cut only the silent expressions are kept.

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The portrait of my mother
Views: 1539

A day in my mother's life. The documentary shows her daily routine, something that I personally find very interesting as I believe that the true self of a person lies in the "insignificant".

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SpacelSelf
Views: 1032

Α work based on the rules of kinetic poetry and explores the relationship between Space and Self. The Space defined by our Self [Ego] is malleable, it changes and interacts with the Space of Others. Physical and non-physical, the Space covered by the Ego is hetero-determined and constantly changing in eternity.

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Sproulifindros
Views: 1783

Τhis piece refers to a suffocating relationship between a father and a son. This oppressive relationship is expressed by the father’s obsessive calls to the son to come and eat his food warm. The son lives in an imperative rhythm of breakfast/lunch/dinner with few getaways because his father never stops calling him, while having a piercing voice. The father lives in a rhythm of constant orthostatic food production. A very elastic son, a very rigid father. A piece of wood, also rigid, who attracts the son. She had been washed by the sea. The highest boiling temperature is at sea-level. Splashing and seething became one. Apnea and immersion in his father’s pot, which is the symbol of his influence, eventually are leading to his release. He tightened so tight on her that for the first time he was stabilised. They were swept away from the waves and while floating they turned into furniture.

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Binary Stitches
Views: 772

"Binary Stitches" is a captivating exploration of the intersection between tradition and technology. 

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Lying upon a Rock
Views: 1864

A documentary about Lazaretto, the desert islet near the city of Corfu that functioned for centuries as a quarantine station as well as a place of execution for political prisoners during the Greek Civil War. The identity of the place is approached through fragmentary testimonies and original sources.

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Paralysis by Analysis
Views: 840

The audiovisual work "Paralysis by Analysis" presents a combined experience that unfolds in two chapters of two and three dimensions respectively.

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Bread And A Blanket
Views: 1871

It’s Monday, the 13th of December 1943, the small town of Kalavryta is set on fire by the occupation army of Nazi Germany while the entire male population is being gathered on a nearby hill and shot dead. This war crime will go down in history, along with the massacre of Acqui Division, as the largest mass killing in Greece during WWII. Three men who witnessed these events as kids, locked up with the rest women, children and elderly people in Kalavryta’s primary school, recall this traumatic experience.

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The Last One Never Laughs
Views: 1359

A journalist, who has lost his identity, visits an uncanny land, in which the smile is banned by law. He feels lost in its dystopia, consisted of self-destructive people, who deplore the smile. He gains many personal experiences that make him unaware of his aim and his human state as well. Will he eventually be able to find a way out?

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