7500+1 sculptures transforms the static language of sculpture into an unfolding temporal experience. The installation takes the traditional concerns of volume and mass and reimagines them as rotating, glossy surfaces that expand and collapse, offering each time a distinct face of the same form.

The projection screen brings into the sculptural field a living object, the moving image, which formally and technically sits outside the usual tools of sculpture. The screen acts both as a platform and a pedestal, a virtual support that stages digital models and the multiple ways a sculpture can exist beyond its physical outline.

The shapes presented are the result of digital rendering and controlled lighting, surfaces that reflect and evolve through a continuous stream of frames. The endless looping and subtle variations from frame to frame shift the encounter from walking around an object to following a temporal sequence. This temporality reveals details, folded narratives and unexpected metamorphoses impossible to capture in a single, static piece.

Shown as a staff project for 2023-2024 and presented with the courtesy of Batagianni Gallery, the work invites viewers to consider not only digital texture and sheen but also how the moving image operates as a platform for reconceiving materiality and presence.