7500+1 sculptures

work-image
Views: 934

The Video installation in the exhibition emphasizes and at the same time negates the temporality of a medium whose dominant form of expression is space. The endless flow of different aspects and versions of the sculpture's form transports the sculpture from space to time, removing the limitations... In addition, the use of a projection screen adds to the space of sculpture a ”living” object -the moving image- that formally and technically does not belong to it. The Video is shown with the courtesy of Batagianni Gallery.



Ruta
Marilu Theologiti
Ruta
Natural Perversion
Luc Messinezis
Natural Perversion
The Last One Never Laughs
Stratis Alvanos
The Last One Never Laughs
The portrait of my mother
Xanthos Tsafalopoulos
The portrait of my mother
INRIRI - Interactive Audiovisual Theatrical Performance
Sofi Moutafi
INRIRI - Interactive Audiovisual Theatrical Performance
ATHENDS
Giorgos Polymeropoulos
ATHENDS
Angst
Katerina Zachariadi
Angst
Lying upon a Rock
Spyros Kavvadias
Lying upon a Rock
The dream 2- Intersections
Maria Paresia Pasipoularidou
The dream 2- Intersections
Voices in our heads
Valassia Dodoulou
Voices in our heads
Ruta
Views: 2115

The compositional method is based on the incorporation of sound material of cultural background into an electroacoustic piece. By drawing a linear narration, my aim was to demonstrate a unity, an imaginary community, which characterizes the Romani culture, despite the hybridic, complicated and diverse traditions deriving from the various European and Asian countries its people live in. A central question behind the making of this piece is what kind of role can a civilization have today, when the concept of space is eliminated by time- a key element in the dynamics of capitalism. What are the cultural consequences of the so-called annihilation of time and space, as materialized and tangible dimensions of social life? Are historical tradition and the search for roots promoted and reorganized as simulacra, imitations or/and museum culture, thourgh the demonstration of a partly deceptive past?

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Natural Perversion
Views: 1363

In the realm of acoustic hyper-reality we meet aural simulacra of the order of maleficence. These are signals that mask and denature a profound acoustic reality. They are referential and representational, but in a way that they dissimulate reality and become its twisted Doppelgängers. Simulacra of the order of maleficence are perversions of reality. With the sound artwork ‘Natural Perversion’ Through a set of sonic processes the artist delves into autogenerative, autopoietic, responsive and biomimetic modes of creation exploring how the original naturally produced audio signal can be transformed into a sonic caricature and depending on the way it balances between its signifier and its signified aspect, it may re-interpret naturally produced concrete audible events into a musical language which serves both the acousmatic and the non-cochlear approaches to contemporary sound art.

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The Last One Never Laughs
Views: 1313

A journalist, who has lost his identity, visits an uncanny land, in which the smile is banned by law. He feels lost in its dystopia, consisted of self-destructive people, who deplore the smile. He gains many personal experiences that make him unaware of his aim and his human state as well. Will he eventually be able to find a way out?

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The portrait of my mother
Views: 1467

A day in my mother's life. The documentary shows her daily routine, something that I personally find very interesting as I believe that the true self of a person lies in the "insignificant".

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INRIRI - Interactive Audiovisual Theatrical Performance
Views: 1947

Myths are living stories that grow with time, change, adapt, but continue being a source for research, inspiration and creativity. The interactive audiovisual theatrical performance INRIRI questions the adaptation of an archetypal myth at a time of many dimensions and levels with elements from physical theater and embedded interactive technology in the performing space. Parts of the story are a Caribbean myth which transforms the body, a woodpecker and some new experimental technologies. On stage two bodies try to communicate with themselves and the environment around them and to discover anew what a body can be, what the relation and connection with the other body and which are the influences of the surrounding space on them.

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ATHENDS
Views: 878

The ATHENDS project is an interactive installation whose purpose is to comment on the Greek media and how it fulfills its purpose based on the violent and unfiltered transmission of information.

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Lying upon a Rock
Views: 1778

A documentary about Lazaretto, the desert islet near the city of Corfu that functioned for centuries as a quarantine station as well as a place of execution for political prisoners during the Greek Civil War. The identity of the place is approached through fragmentary testimonies and original sources.

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The dream 2- Intersections
Views: 1155

While we dream, much of the information that the brain involuntarily collects during the day, is intersected and integrated with previous experience and can be used in future behaviors.

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Voices in our heads
Views: 1141

Α video art piece with performance and art installation elements in public space.

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AVARTS IONIAN UNIVERSITY

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