Where do I exist?

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Views: 2184

The title of this artwork is "Where Do I Exist?". This is a virtual space that explores the relationship between reality and virtual reality. Moreover, it the result of a pandemic society that tends to communicate through social media. It is the impression of our lifes into a virtual world, free from our body and the stereotypes it might follows it. Could we be free from our body and ideas such as gender identity and death? What is the meaning of touch into an immaterial world? Anyone can be part of this artwork with a twitter hashtag of the word #immaterial.

Sousana Romanidou , Konstantinos Tiligadis



Voices in our heads
Valassia Dodoulou
Voices in our heads
The Last One Never Laughs
Stratis Alvanos
The Last One Never Laughs
Sound Art
Sound Art
Eterotopia
Ioanna Tzampa
Eterotopia
Aynadamar
Margarita Chalakatevaki
Aynadamar
Allimonò
Allimonò
Drifting
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Drifting
The Room
The Room
The dream 2- Intersections
Maria Paresia Pasipoularidou
The dream 2- Intersections
Bread And A Blanket
Dimitris Gkrintzos
Bread And A Blanket
Voices in our heads
Views: 1137

Α video art piece with performance and art installation elements in public space.

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The Last One Never Laughs
Views: 1313

A journalist, who has lost his identity, visits an uncanny land, in which the smile is banned by law. He feels lost in its dystopia, consisted of self-destructive people, who deplore the smile. He gains many personal experiences that make him unaware of his aim and his human state as well. Will he eventually be able to find a way out?

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Eterotopia
Views: 1153

Eterotopia. Place within a Place that violates real time.

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Aynadamar
Views: 2060

Aynadamar: An important place as far back as when the Arabs were in the area. The whole region of Andalusia was supplied with water through that spring, reaching as far as Madrid. Several years later, the poet and playwright Federico Garcia Lorca is taken there to be executed. His work in turn supplied the whole Spain and spread to the rest of the world. The documentary intertwines significant events of his life with dramatised excerpts from his work, aiming at achieving Duende (as Lorca used to say), the quintessence of all things.

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Allimonò
Views: 1419

The fulfillment of a last wish leads Filippo to a retrospection from the mountains of Epirus to the recent past of the year 1945. His meeting with his history revives the memory of a whole village, unfolding the relations and the bonding of two peoples against the commands of an era, which is not as far as we think.

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Drifting
Views: 1040

Social sensitization animation project on road safety. It emphasizes the use of a safety helmet when driving a motorcycle.

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The Room
Views: 1583

Where do memories go when they are lost? Are they still where we left them, if we don’t recall them? In this room, as private and irrevocable as our memory, objects animate a series of scenarios. A memory floods the room, another struggles to disclose itself, another one leaks back and forth in time. The idea of the ‘other’ hovers between what has already passed and what is reminisced every time. We never recollect events and spaces as such. We always enliven recollections in our own way. Through constant evocations that seek to perpetuate the existence of the ‘room’, memories converse with space and time, as well as with a part of ourselves. Either as past, forgetfulness or loss, they always contain something that is already gone.

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The dream 2- Intersections
Views: 1154

While we dream, much of the information that the brain involuntarily collects during the day, is intersected and integrated with previous experience and can be used in future behaviors.

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Bread And A Blanket
Views: 1788

It’s Monday, the 13th of December 1943, the small town of Kalavryta is set on fire by the occupation army of Nazi Germany while the entire male population is being gathered on a nearby hill and shot dead. This war crime will go down in history, along with the massacre of Acqui Division, as the largest mass killing in Greece during WWII. Three men who witnessed these events as kids, locked up with the rest women, children and elderly people in Kalavryta’s primary school, recall this traumatic experience.

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