Dharmadhatu

work-image
Views: 2168

"Dharmadhatu" is an experimental audiovisual video with linear narrative. It has been created with an original experimental technique, where each frame results from a live recording of the behavior of flowing colors on a painted surface.



Inner Journey
Eleni Mitrouska
Inner Journey
DeepRedShip
Christina Sfakianaki
DeepRedShip
Lying upon a Rock
Spyros Kavvadias
Lying upon a Rock
Visualization of the sound piece “Remains of Rays”
Leonidas Douras
Visualization of the sound piece “Remains of Rays”
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Tonia Aino
EX-SITU [existing situations]. Destruction as an social-artistic practice.
ΟBLIVION: A Rotoscoping Videoclip
Sosanna Natalia Tsaousi
ΟBLIVION: A Rotoscoping Videoclip
Orisons
Maria Karropoulou
Orisons
Windows
Konstantina Kaika
Windows
Quarantine Self Portait
Quarantine Self Portait
Méliès Trilogy
Aris Melachroinos
Méliès Trilogy
DeepRedShip
Views: 1166

Paraphrase, reference of the title to the depression caused by the shocking images of drowned children in the Mediterranean, the watery grave of persecuted refuges.

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Lying upon a Rock
Views: 1965

A documentary about Lazaretto, the desert islet near the city of Corfu that functioned for centuries as a quarantine station as well as a place of execution for political prisoners during the Greek Civil War. The identity of the place is approached through fragmentary testimonies and original sources.

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Visualization of the sound piece “Remains of Rays”
Views: 1208

Visualization of the sound piece “Yves De Mey - Remains of Rays [Spectrum Spools]”

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EX-SITU [existing situations]. Destruction as an social-artistic practice.
Views: 1933

EX-SITU[existing situations] is an interactive installation that incorporates a computer, sound, and lighting technologies in which users/ viewers take part in the destruction of the painting by stepping on it. At the same time, a motion tracking system marks visitors and a light spot tracks them.​
The content of EX SITU calls for awareness of social indifference, self-promotion, and their impact on society. The structure of EX SITU is intentionally ambiguous, revealing the obsession/fascination for the protection of material in contrast with the empathy for other people.
The interactive installation underlines the responsibility of individuals in society. The theoretical part analyses the Destruction in Art Symposium in 1966 and The bystander effect, or bystander apathy, in which individuals are less likely to offer help to a victim when other people are present.

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ΟBLIVION: A Rotoscoping Videoclip
Views: 2077

This thesis is about the production, direction and animation οf a contemporary dance music video lasting four (4) minutes. Its title is "OBLIVION: Music video using the Rotoscoping technique". Its subject is the loss of a great summer love and the pain that comes when this love is over. Its goal for all of its elements be to harmoniously joined together i. e. the dance, the surroundings, the colors, the music and the animation so as to make the viewer feel nostalgic and melancholic.

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Orisons
Views: 1370

"Orisons" is a photographic series where images are projected in a way through which I honor the presence of humans and non-humans in my life and in the environments I exist in. The second image of the album is a self portrait that is followed by portraits and pictures of familiar or stranger faces, beings and places. All these photographs radiate something sacred to me which is deeply related to my perception that the moments and the images I am lucky enough to experience are important.

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Windows
Views: 1128

The atmosphere of the space and the emotional charge are the dominant points in the work. The windows ας protagonists have a dual meaning. Internet windows - tabs ας a means of socialization and communication, a substitute for a life.

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Quarantine Self Portait
Views: 1289

The quarantine's experience time has functioned as a humanized time. Its previous social barbarity was imprisoned in the familiar cage of my soul and became my creation time. Each day was my friend, an eternal circular and dynamic present, a consciousness without conflicts. It was like an eternity that is experienced differently every moment. An unprecedented form of stillness gripped me and perpetuated in many abstract fragments which finally formed the new texture of my existence, in this peculiar isolation. I became from the carcass of time I was before, its qualitative disintegration… Reality was distorted and experienced illusively. The time from the alienation that was before, was transformed and became the cover for the scratched truth of myself. This kind of time my conscience had dreamed to live.

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Méliès Trilogy
Views: 154

The main subject of this thesis is to analyze the special effects that George Melies used and invented, as well as the creation of a short film with special and visual effects, inspired by Melies’ work. This film has been implemented using modern techniques, aiming for an outcome that seems realistic but cannot actually happen in real life. All the techniques that have been used to create the film will be analyzed in depth.

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AVARTS IONIAN UNIVERSITY

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