Dharmadhatu

work-image
Views: 2305

"Dharmadhatu" is an experimental audiovisual video with linear narrative. It has been created with an original experimental technique, where each frame results from a live recording of the behavior of flowing colors on a painted surface.



Eterotopia
Ioanna Tzampa
Eterotopia
Filter Bubbles
Filter Bubbles
become
become
Inside the body
Eleni Mitrouska
Inside the body
INRIRI - Interactive Audiovisual Theatrical Performance
Sofi Moutafi
INRIRI - Interactive Audiovisual Theatrical Performance
Ticket
Marina Kappou
Ticket
Where do I exist?
Sousana Romanidou
Where do I exist?
Forest of Winds
Orestis Dimopoulos
Forest of Winds
Orisons
Maria Karropoulou
Orisons
Sound Art
Sound Art
Eterotopia
Views: 1463

Eterotopia. Place within a Place that violates real time.

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Filter Bubbles
Views: 1220

The AVARTS team's project "Filter Bubbles" aims to raise critical reflection on the extent of the responsibility attributed to algorithms and technology for the formation of these "isolation bubbles". Furthermore, through the artistic process, it aims to weaken the positive feedback loops that gigantize imperfect information, foster fear and undermine creativity.

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become
Views: 1661

In this video art work 39 persons of different ages are invited to sit in front of the same black door, talk about their favourite object and in what, by using this object, they could be transformed. In the final cut only the silent expressions are kept.

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Inside the body
Views: 1183

Every expression of the subject is inherent in the body image, indicating the lack of being, which desire tries to cover.

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INRIRI - Interactive Audiovisual Theatrical Performance
Views: 2254

Myths are living stories that grow with time, change, adapt, but continue being a source for research, inspiration and creativity. The interactive audiovisual theatrical performance INRIRI questions the adaptation of an archetypal myth at a time of many dimensions and levels with elements from physical theater and embedded interactive technology in the performing space. Parts of the story are a Caribbean myth which transforms the body, a woodpecker and some new experimental technologies. On stage two bodies try to communicate with themselves and the environment around them and to discover anew what a body can be, what the relation and connection with the other body and which are the influences of the surrounding space on them.

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Ticket
Views: 1570

documentary - Narrated by Christina Koblitsi

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Where do I exist?
Views: 2523

The title of this artwork is "Where Do I Exist?". This is a virtual space that explores the relationship between reality and virtual reality. Moreover, it the result of a pandemic society that tends to communicate through social media. It is the impression of our lifes into a virtual world, free from our body and the stereotypes it might follows it. Could we be free from our body and ideas such as gender identity and death? What is the meaning of touch into an immaterial world? Anyone can be part of this artwork with a twitter hashtag of the word #immaterial.

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Forest of Winds
Views: 1680

With the opportunity of the preparation of the trip, the productive process of maintenance, repair and work in the area of the shipyard, the project "Forest of Winds" is created. The project was named "Forest of Winds" because of the sound of the wind passing through the masts of the boats. The "Forest of Winds" is a 360 video animation evolving into a theatrical space and indefinite time. The video depicts the invisible side of a dream, the dream of a journey and its preparation with the forms of workers hovering impersonal in space as work uniforms, creating a choreographed kinesiological narrative process. The forms of workers rub, shine and accomplish all kinds of jobs with their repetitive motions, until they are left in space like objects in an endless free fall.

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Orisons
Views: 1432

"Orisons" is a photographic series where images are projected in a way through which I honor the presence of humans and non-humans in my life and in the environments I exist in. The second image of the album is a self portrait that is followed by portraits and pictures of familiar or stranger faces, beings and places. All these photographs radiate something sacred to me which is deeply related to my perception that the moments and the images I am lucky enough to experience are important.

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AVARTS IONIAN UNIVERSITY

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