Dharmadhatu

work-image
Views: 2237

"Dharmadhatu" is an experimental audiovisual video with linear narrative. It has been created with an original experimental technique, where each frame results from a live recording of the behavior of flowing colors on a painted surface.



Inner Journey
Eleni Mitrouska
Inner Journey
Angst
Katerina Zachariadi
Angst
Ticket
Marina Kappou
Ticket
"ano” + "throsko”
"ano” + "throsko”
7500+1 sculptures
7500+1 sculptures
Me, herself & ai
Marinos Pavlidis
Me, herself & ai
Drifting
Aristomenis Chatzipapas
Drifting
Audio Crossings
Konstantinos Tsioutas
Audio Crossings
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Tonia Aino
EX-SITU [existing situations]. Destruction as an social-artistic practice.
INRIRI - Interactive Audiovisual Theatrical Performance
Sofi Moutafi
INRIRI - Interactive Audiovisual Theatrical Performance
Ticket
Views: 1496

documentary - Narrated by Christina Koblitsi

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"ano” + "throsko”
Views: 1370

It is a work of digital design in real time that in its evolution displays the Word human, relationship coupling, thoughts and feelings..

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7500+1 sculptures
Views: 1164

The Video installation in the exhibition emphasizes and at the same time negates the temporality of a medium whose dominant form of expression is space.

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Me, herself & ai
Views: 1440

Mirror project that interacts with "Me myself & ai" by Sofi Moutafi. The creation of this work results from the collaboration of man and machine, which places it at the intersection of these two great sets.

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Drifting
Views: 1263

Social sensitization animation project on road safety. It emphasizes the use of a safety helmet when driving a motorcycle.

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Audio Crossings
Views: 1363

Multiple distance sensors trigger sound events ας people move around and get close to the grid with the srceens.

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EX-SITU [existing situations]. Destruction as an social-artistic practice.
Views: 1990

EX-SITU[existing situations] is an interactive installation that incorporates a computer, sound, and lighting technologies in which users/ viewers take part in the destruction of the painting by stepping on it. At the same time, a motion tracking system marks visitors and a light spot tracks them.​
The content of EX SITU calls for awareness of social indifference, self-promotion, and their impact on society. The structure of EX SITU is intentionally ambiguous, revealing the obsession/fascination for the protection of material in contrast with the empathy for other people.
The interactive installation underlines the responsibility of individuals in society. The theoretical part analyses the Destruction in Art Symposium in 1966 and The bystander effect, or bystander apathy, in which individuals are less likely to offer help to a victim when other people are present.

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INRIRI - Interactive Audiovisual Theatrical Performance
Views: 2192

Myths are living stories that grow with time, change, adapt, but continue being a source for research, inspiration and creativity. The interactive audiovisual theatrical performance INRIRI questions the adaptation of an archetypal myth at a time of many dimensions and levels with elements from physical theater and embedded interactive technology in the performing space. Parts of the story are a Caribbean myth which transforms the body, a woodpecker and some new experimental technologies. On stage two bodies try to communicate with themselves and the environment around them and to discover anew what a body can be, what the relation and connection with the other body and which are the influences of the surrounding space on them.

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AVARTS IONIAN UNIVERSITY

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