Me, herself & ai

work-image
Views: 986

Mirror project that interacts with "Me myself & ai" by Sofi Moutafi. The creation of this work results from the collaboration of man and machine, which places it at the intersection of these two great sets. In this way we ask the question: what is real and what is not? What is considered art and what is fake? IS there really a limit at the intersection of the two sets or is this also another part of the journey?



Confusion
Fani Kesidou
Confusion
Ticket
Marina Kappou
Ticket
Bread And A Blanket
Dimitris Gkrintzos
Bread And A Blanket
Windows
Konstantina Kaika
Windows
Voices in our heads
Valassia Dodoulou
Voices in our heads
Demetris: A Visual Artist
Eleftheria Kiratzidou
Demetris: A Visual Artist
Phoenix
Christina Kalantzi
Phoenix
Where do I exist?
Sousana Romanidou
Where do I exist?
devout Iongings
devout Iongings
Ruta
Marilu Theologiti
Ruta
Confusion
Views: 574

An interactive symbolic work consisting of a wire brain construction is presented. 

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Ticket
Views: 903

documentary - Narrated by Christina Koblitsi

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Bread And A Blanket
Views: 1538

It’s Monday, the 13th of December 1943, the small town of Kalavryta is set on fire by the occupation army of Nazi Germany while the entire male population is being gathered on a nearby hill and shot dead. This war crime will go down in history, along with the massacre of Acqui Division, as the largest mass killing in Greece during WWII. Three men who witnessed these events as kids, locked up with the rest women, children and elderly people in Kalavryta’s primary school, recall this traumatic experience.

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Windows
Views: 895

The atmosphere of the space and the emotional charge are the dominant points in the work. The windows ας protagonists have a dual meaning. Internet windows - tabs ας a means of socialization and communication, a substitute for a life.

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Voices in our heads
Views: 900

Α video art piece with performance and art installation elements in public space.

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Demetris: A Visual Artist
Views: 1694

The cinematic portrait of a visual artist, Demetris Papazachos, a senior student of the Fine Arts School in Thessaloniki, is about featuring an artist without just showing his artwork but emphasizing at his personality and his artistic thinking instead. Through his internal journey, gay culture elements are projected while an interesting question is raised: Who is "A Visual Artist" at last?

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Phoenix
Views: 1858

Phoenix is the rebirth of the refugees. It is what was left of the big fire in the Moria's camp.

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Where do I exist?
Views: 1895

The title of this artwork is "Where Do I Exist?". This is a virtual space that explores the relationship between reality and virtual reality. Moreover, it the result of a pandemic society that tends to communicate through social media. It is the impression of our lifes into a virtual world, free from our body and the stereotypes it might follows it. Could we be free from our body and ideas such as gender identity and death? What is the meaning of touch into an immaterial world? Anyone can be part of this artwork with a twitter hashtag of the word #immaterial.

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devout Iongings
Views: 890

This is a Iove story between a female statue and a man. It is about the pious desires of people ας they apply them to the interpersonal relationships they develop.

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Ruta
Views: 1829

The compositional method is based on the incorporation of sound material of cultural background into an electroacoustic piece. By drawing a linear narration, my aim was to demonstrate a unity, an imaginary community, which characterizes the Romani culture, despite the hybridic, complicated and diverse traditions deriving from the various European and Asian countries its people live in. A central question behind the making of this piece is what kind of role can a civilization have today, when the concept of space is eliminated by time- a key element in the dynamics of capitalism. What are the cultural consequences of the so-called annihilation of time and space, as materialized and tangible dimensions of social life? Are historical tradition and the search for roots promoted and reorganized as simulacra, imitations or/and museum culture, thourgh the demonstration of a partly deceptive past?

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