Me, herself & ai

work-image
Views: 1253

Mirror project that interacts with "Me myself & ai" by Sofi Moutafi. The creation of this work results from the collaboration of man and machine, which places it at the intersection of these two great sets. In this way we ask the question: what is real and what is not? What is considered art and what is fake? IS there really a limit at the intersection of the two sets or is this also another part of the journey?



Inner Journey
Eleni Mitrouska
Inner Journey
Wroom
Konstantia Makri
Wroom
Angst
Katerina Zachariadi
Angst
In between moments
Sofia Androutsopoulou
In between moments
Excitatio Corcyrae : Player’s Guide
Despoina-Sofia Kyrgiafini
Excitatio Corcyrae : Player’s Guide
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Tonia Aino
EX-SITU [existing situations]. Destruction as an social-artistic practice.
Phoenix
Christina Kalantzi
Phoenix
"ano” + "throsko”
"ano” + "throsko”
Bread And A Blanket
Dimitris Gkrintzos
Bread And A Blanket
Panopticon
Lampros Marios Pavlakis
Panopticon
Wroom
Views: 923

The Wroom, is a movie that start with two red iron cars, a 1953 Chevrolet 1100 & a 1954 Magirus Deutz small fire engine, spilling out of a race of skills, flips and drifts at speed in the dining room of their home. In a brightly room, in a world where imagination knows no bounds.

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In between moments
Views: 991

Moments that meet and compose new ones through clips of a few seconds. Their common point is the associative thinking during their creation and the sense of the surrealistic-dreamlike mood.

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EX-SITU [existing situations]. Destruction as an social-artistic practice.
Views: 1845

EX-SITU[existing situations] is an interactive installation that incorporates a computer, sound, and lighting technologies in which users/ viewers take part in the destruction of the painting by stepping on it. At the same time, a motion tracking system marks visitors and a light spot tracks them.​
The content of EX SITU calls for awareness of social indifference, self-promotion, and their impact on society. The structure of EX SITU is intentionally ambiguous, revealing the obsession/fascination for the protection of material in contrast with the empathy for other people.
The interactive installation underlines the responsibility of individuals in society. The theoretical part analyses the Destruction in Art Symposium in 1966 and The bystander effect, or bystander apathy, in which individuals are less likely to offer help to a victim when other people are present.

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Phoenix
Views: 2200

Phoenix is the rebirth of the refugees. It is what was left of the big fire in the Moria's camp.

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"ano” + "throsko”
Views: 1168

It is a work of digital design in real time that in its evolution displays the Word human, relationship coupling, thoughts and feelings..

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Bread And A Blanket
Views: 1821

It’s Monday, the 13th of December 1943, the small town of Kalavryta is set on fire by the occupation army of Nazi Germany while the entire male population is being gathered on a nearby hill and shot dead. This war crime will go down in history, along with the massacre of Acqui Division, as the largest mass killing in Greece during WWII. Three men who witnessed these events as kids, locked up with the rest women, children and elderly people in Kalavryta’s primary school, recall this traumatic experience.

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Panopticon
Views: 916

It is an Interactive Installation that deals with the issues of immigration, wars and surveillance of citizens on a global scale.

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